Calibro 35 / Ritornano Quelli Di...
| Album: | Ritornano Quelli Di... | Collection: | General | |
| Artist: | Calibro 35 | Added: | Jul 2010 | |
| Label: | Nublu Records | |||
A-File Activity
| Add Date: | 2010-08-01 | Pull Date: | 2010-10-03 |
|---|
| Week Ending: | Sep 19 | Sep 5 | Aug 29 | Aug 22 |
|---|---|---|---|---|
| Airplays: | 1 | 2 | 1 | 1 |
Recent Airplay
| 1. | Sep 18, 2010: | lost and found
Calling All Units To Broccolino |
4. | Aug 28, 2010: | New World Disorder
A Fistful Of Lead |
|
| 2. | Sep 04, 2010: | New World Disorder
Calling All Units To Broccolino |
5. | Aug 21, 2010: | New World Disorder
Calling All Units To Broccolino |
|
| 3. | Aug 31, 2010: | meltdown
Death Comes At Midnight |
6. | Jul 31, 2010: | New World Disorder
Five Dolls For An August Moon, Death Comes At Midnight, Eurocrime! |
Album Review
Sadie O.
Reviewed 2010-07-31
Reviewed 2010-07-31
Ritornano Quelli di… Calibro 35
Reviewed by Sadie O., 7/31/10
Retro lounge instrumentals, seemingly the soundtrack for a spaghetti crime drama of the 60’s-70’s. Apparently these 5 Italian crime movie buffs have soaked seriously in the music of the genre – there are a few covers (track 10 is Morricone, even) but mostly originals, and they’ve got the essence down perfectly. You can see the whole filthy business play out in your head as you listen – huzzah!
No FCCs – instrumentals. I like tracks 1, 4, 11 best.
1. 2:57 ****fuzz guitar intro, then funky loungy retro uptempo groove with feel of a police drama TV theme.
2. 5:17 ***intro organ chord fraught with drama! Then slow, slinky crawl with lots of bass and farfisa and a myriad of bitchen sounds.
3. 2:18 ***upbeat, back on the beat (as in the crime scene), retro, reverby, bitchen.
4. 3:34 ****goofy vocal intro, then very funky midtempo groove.
5. 2:59 ***funky midtempo with prominent horns, a bit relaxed vibe.
6. 3:20 *funky intro, stop, and then reverby farfisa, rather light and groovy. The romantic interlude in the crime drama? Yet a molecule of menace remains…
7. 2:57 **big menacing riff, the tension mounts… last minute or so is back to softer with farfisa.
8. 2:56 ***downtempo super funky but relaxed. I think this is the search scene. Whether it’s in cars or inside an abandoned factory with flashlights, I’m not totally sure.
9. 3:10 ***flute and bass, rather Pink Panther-esque, sense of urgency.
10. 4:22 *insistent 4/4 beat, odd and complex and slightly dischordant melody line. Goes funky in a rather strange way after a minute and a half, then back, then to the Twilight Zone.
11. 3:31 ****super-funky! Drenched with bitcheness and reverb.
12. 6:30 ***big fat intro, then slow ponderous chords that give way to farfisa and flutes and many different moods – the outro credits, recapping the moods of the movie. Very moody for last minute or so.
Reviewed by Sadie O., 7/31/10
Retro lounge instrumentals, seemingly the soundtrack for a spaghetti crime drama of the 60’s-70’s. Apparently these 5 Italian crime movie buffs have soaked seriously in the music of the genre – there are a few covers (track 10 is Morricone, even) but mostly originals, and they’ve got the essence down perfectly. You can see the whole filthy business play out in your head as you listen – huzzah!
No FCCs – instrumentals. I like tracks 1, 4, 11 best.
1. 2:57 ****fuzz guitar intro, then funky loungy retro uptempo groove with feel of a police drama TV theme.
2. 5:17 ***intro organ chord fraught with drama! Then slow, slinky crawl with lots of bass and farfisa and a myriad of bitchen sounds.
3. 2:18 ***upbeat, back on the beat (as in the crime scene), retro, reverby, bitchen.
4. 3:34 ****goofy vocal intro, then very funky midtempo groove.
5. 2:59 ***funky midtempo with prominent horns, a bit relaxed vibe.
6. 3:20 *funky intro, stop, and then reverby farfisa, rather light and groovy. The romantic interlude in the crime drama? Yet a molecule of menace remains…
7. 2:57 **big menacing riff, the tension mounts… last minute or so is back to softer with farfisa.
8. 2:56 ***downtempo super funky but relaxed. I think this is the search scene. Whether it’s in cars or inside an abandoned factory with flashlights, I’m not totally sure.
9. 3:10 ***flute and bass, rather Pink Panther-esque, sense of urgency.
10. 4:22 *insistent 4/4 beat, odd and complex and slightly dischordant melody line. Goes funky in a rather strange way after a minute and a half, then back, then to the Twilight Zone.
11. 3:31 ****super-funky! Drenched with bitcheness and reverb.
12. 6:30 ***big fat intro, then slow ponderous chords that give way to farfisa and flutes and many different moods – the outro credits, recapping the moods of the movie. Very moody for last minute or so.
Track Listing