British Sea Power / Zeus
Album: | Zeus | Collection: | General | |
Artist: | British Sea Power | Added: | Oct 2010 | |
Label: | Rough Trade Records |
A-File Activity
Add Date: | 2010-12-12 | Pull Date: | 2011-02-13 |
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Week Ending: | Feb 13 | Feb 6 | Jan 23 | Jan 16 | Jan 9 | Jan 2 | Dec 26 |
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Airplays: | 2 | 3 | 4 | 1 | 1 | 1 | 2 |
Recent Airplay
1. | Dec 04, 2012: | Electrowave
Zeus |
4. | Feb 03, 2011: | Cut It Out, y'all
Cleaning Out The Rooms |
|
2. | Feb 09, 2011: | NickAndNoah: TheRadioShow
Bear |
5. | Feb 02, 2011: | Nick&Noah: TheRadioShow
Zeus |
|
3. | Feb 08, 2011: | Sparks Fly Up
Cleaning Out The Rooms |
6. | Feb 02, 2011: | Hipster Garbage
Zeus |
Album Review
Eduisa
Reviewed 2010-12-05
Reviewed 2010-12-05
Dramatic post punk crossed with psych and new wave. This EP is kind of all over the map, but it’s an interesting listen. Sounds a bit like the latest release by These New Puritans, Hidden. Most tracks run long. FCC clean. Try 1, 2, 4.
†1. Up-tempo punk. Vocals usu. overpowered by tremolo guitars. A lot of echo and reverb. Song reinvents itself as it goes: sometimes quick and furious, sometimes AOR-ish.
†2. Midtempo. Strings and thrumming. Apprehensive track, with a lot of echoes and layers of instrumentation. Drums sound like a marching band keeping time. Post punk version of Grizzly Bear’s Veckatimest. Let it play until the end-delicate piano chord outro.
3. Up-tempo punk. Echoe-y vocals and heavily distorted guitars. Repetitive drums and unfocused melody line. 8s of silence @ end.
†4. Downtempo. Power pop crossed with chillwave, then @ 3:30min it morphs into a psychedelic track with dramatic reverb and effects from guitars. Spacey, with long outro (~10s).
5. Downtempo. Sparse instrumentation, with voice, whistling, halting piano, and background noises (is that a typewriter?) 10s. silence @ end.
6. Uptempo post punk. Guitar pedals make quite the appearance. Looping guitar line, ominous distorted vocals and weird sound effects.
7. Uptempo post punk¬/psych. Computerized vocals and tribal drum rhythms. What sounds like computers screeching in the background. Keyboard line. The evil return of HAL.
†1. Up-tempo punk. Vocals usu. overpowered by tremolo guitars. A lot of echo and reverb. Song reinvents itself as it goes: sometimes quick and furious, sometimes AOR-ish.
†2. Midtempo. Strings and thrumming. Apprehensive track, with a lot of echoes and layers of instrumentation. Drums sound like a marching band keeping time. Post punk version of Grizzly Bear’s Veckatimest. Let it play until the end-delicate piano chord outro.
3. Up-tempo punk. Echoe-y vocals and heavily distorted guitars. Repetitive drums and unfocused melody line. 8s of silence @ end.
†4. Downtempo. Power pop crossed with chillwave, then @ 3:30min it morphs into a psychedelic track with dramatic reverb and effects from guitars. Spacey, with long outro (~10s).
5. Downtempo. Sparse instrumentation, with voice, whistling, halting piano, and background noises (is that a typewriter?) 10s. silence @ end.
6. Uptempo post punk. Guitar pedals make quite the appearance. Looping guitar line, ominous distorted vocals and weird sound effects.
7. Uptempo post punk¬/psych. Computerized vocals and tribal drum rhythms. What sounds like computers screeching in the background. Keyboard line. The evil return of HAL.
Track Listing
1. | Zeus | 5. | Pardon My Friends | |||
2. | Cleaning Out The Rooms | 6. | Mongk | |||
3. | Can We Do It? | 7. | Kw-H | |||
4. | Bear | . |