Koivistoinen, Eero / 3rd Version
Album: | 3rd Version | Collection: | General | |
Artist: | Koivistoinen, Eero | Added: | Nov 2010 | |
Label: | Porter Records |
A-File Activity
Add Date: | 2010-11-21 | Pull Date: | 2011-01-23 |
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Week Ending: | Jan 23 | Jan 16 | Jan 2 | Dec 12 | Dec 5 | Nov 28 |
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Airplays: | 1 | 2 | 1 | 1 | 2 | 3 |
Recent Airplay
1. | Jun 12, 2013: | minimum entropy
Latin Power |
4. | Jan 13, 2011: | orangeasm
Latin Power |
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2. | Jan 22, 2011: | Music Casserole
Muy Bonita Ciudad |
5. | Dec 30, 2010: | orangeasm
Near But Far Away |
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3. | Jan 15, 2011: | My Little Pony Sub Show
Near But Far Away |
6. | Dec 09, 2010: | BBW = BB$
Latin Power |
Album Review
Your Imaginary Friend
Reviewed 2010-11-13
Reviewed 2010-11-13
Full on prog-fusion jazz that would make Miles Davis blush, Weather Report predict the perfect bad-ass storm, Soft Machine get hard, Pat Martino… well… have sex with another groupie. Finnish artist with full entourage of countrymen released on the fantastic Porter Records label. Guitar, bass, drums, electrokeys (Rhodes?), sax, all played with requisite badassedness, insane technical proficiency and subtle touch. Smokin “Motherfuckers”, in the words of Miles’ highest praise. Everything on this CD, about it, is bad ass. Play any track (no vocals, all FCC safe).
1) bad ass, kick ass guitar to this upbeat driving prog that would easily garner Miles Davis’ proclamation: Motherfuckers!!
2) smoother, more chill, keyboard solo then soaring beautiful sax, nice, with a bad ass bass solo
3) starts mellow, slow, but builds/intensifies into a wall of prog Rhodes til a tenor sax appears and rototills everything around it midway allowing the track to bloom into something more mature and chill via guitar
4) major percussion solos, wall of intenseness, that gives way to ubercool tenor sax/Rhodes led jam that Robert Wyatt might very well jump out of his wheelchair for
1) bad ass, kick ass guitar to this upbeat driving prog that would easily garner Miles Davis’ proclamation: Motherfuckers!!
2) smoother, more chill, keyboard solo then soaring beautiful sax, nice, with a bad ass bass solo
3) starts mellow, slow, but builds/intensifies into a wall of prog Rhodes til a tenor sax appears and rototills everything around it midway allowing the track to bloom into something more mature and chill via guitar
4) major percussion solos, wall of intenseness, that gives way to ubercool tenor sax/Rhodes led jam that Robert Wyatt might very well jump out of his wheelchair for
Track Listing
1. | 3rd Version | 3. | Muy Bonita Ciudad | |||
2. | Near But Far Away | 4. | Latin Power |