Bloom, Jane Ira / Wingwalker
Album: | Wingwalker | Collection: | Jazz | |
Artist: | Bloom, Jane Ira | Added: | Mar 2011 | |
Label: | Outline Records |
A-File Activity
Add Date: | 2011-03-13 | Pull Date: | 2011-05-15 | Charts: | Jazz |
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Week Ending: | May 8 | Apr 3 | Mar 27 | Mar 20 |
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Airplays: | 2 | 1 | 1 | 2 |
Recent Airplay
1. | Jul 11, 2022: | Rebop
Her Exacting Light |
4. | Apr 01, 2011: | No Cover, No Minimum
Her Exacting Light |
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2. | May 06, 2011: | No Cover, $5 Minimum
Her Exacting Light |
5. | Mar 22, 2011: | Rebop
Freud's Convertible |
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3. | May 03, 2011: | Rebop
Her Exacting Light |
6. | Mar 18, 2011: | No Cover, No Minimum
Life On Cloud 8 |
Album Review
Fo
Reviewed 2011-03-12
Reviewed 2011-03-12
JANE IRA BLOOM: Wingwalker
Outline, 2011
MODERN JAZZ – Soprano saxophonist Jane Ira Bloom is a marvelous composer. Each piece on this CD is like a short story: cerebral, carefully structured, perfectly self-contained. Bloom’s mercurial style demolishes the clichés of her instrument (you know… syrupy smoothness or piercing harshness), her use of live electronics adds a kind of futuristic self-counterpoint to several tracks, and her quartet is playful and spot-on.
Jane Ira Bloom : soprano sax, electronics
Dawn Clement : piano
Mark Helias : bass
Bobby Previte : drums
All interesting. Fo’s Picks: 1, 2, 4, 6, 9, 11
1. 4:15 – slow, stirring theme: sax soars & swoops like a kite over piano pillars
2. 5:39 – struts forward, then rolls: cool drum work, tricky breaks, subtle electronics
3. 5:39 – slow ballad: expressive sax, quartet is very open and spare
4. 6:33 – friendly, loping, but oddball twists hang in mid-air; fast groove at the end
5. 3:26 – quick, furtive sax runs; rhythm slips into a snappy walk, lots of electronics
6. 6:36 – sax/piano roam together, then sax weaves thru a steady, pulsing rhythm
7. 5:22 – piano/bass/drums in conflicting rhythmic patterns, sax keeps cool
8. 4:49 – piano/sax intro, switches to warm but angular swinging stroll
9. 3:52 – lowdown ballad, very gentle and lyrical but with an oddly sticky flow
10. 4:01 – chugging groove: sax & piano solos jab lightly at it
11. 4:17 – relaxed, meandering melody: sax pulls skyward, piano more grounded
12. 3:06 – standard: solo sax makes it very slow and melancholy
[ Fo ] 03/12/11
Outline, 2011
MODERN JAZZ – Soprano saxophonist Jane Ira Bloom is a marvelous composer. Each piece on this CD is like a short story: cerebral, carefully structured, perfectly self-contained. Bloom’s mercurial style demolishes the clichés of her instrument (you know… syrupy smoothness or piercing harshness), her use of live electronics adds a kind of futuristic self-counterpoint to several tracks, and her quartet is playful and spot-on.
Jane Ira Bloom : soprano sax, electronics
Dawn Clement : piano
Mark Helias : bass
Bobby Previte : drums
All interesting. Fo’s Picks: 1, 2, 4, 6, 9, 11
1. 4:15 – slow, stirring theme: sax soars & swoops like a kite over piano pillars
2. 5:39 – struts forward, then rolls: cool drum work, tricky breaks, subtle electronics
3. 5:39 – slow ballad: expressive sax, quartet is very open and spare
4. 6:33 – friendly, loping, but oddball twists hang in mid-air; fast groove at the end
5. 3:26 – quick, furtive sax runs; rhythm slips into a snappy walk, lots of electronics
6. 6:36 – sax/piano roam together, then sax weaves thru a steady, pulsing rhythm
7. 5:22 – piano/bass/drums in conflicting rhythmic patterns, sax keeps cool
8. 4:49 – piano/sax intro, switches to warm but angular swinging stroll
9. 3:52 – lowdown ballad, very gentle and lyrical but with an oddly sticky flow
10. 4:01 – chugging groove: sax & piano solos jab lightly at it
11. 4:17 – relaxed, meandering melody: sax pulls skyward, piano more grounded
12. 3:06 – standard: solo sax makes it very slow and melancholy
[ Fo ] 03/12/11
Track Listing
1. | Her Exacting Light | 7. | Rooftops Speak Dreams | |||
2. | Life On Cloud 8 | 8. | Rookie | |||
3. | Ending Red Songs | 9. | Adjusting To Midnight | |||
4. | Freud's Convertible | 10. | Live Sports | |||
5. | Airspace | 11. | Wingwalker | |||
6. | Frontiers In Science | 12. | I Could Have Danced All Night |