Snakeoil
Reviews
Wedge
Reviewed 2012-02-26
Reviewed 2012-02-26
Between chamber jazz and free jazz; adventurous quartet suites with lots of that echoey ECM sound. Tracks move through multiple modds but tend to include both rainy-day spareness and bustling avant-jazz composing. 2 and 5 grab the ears most immediately; 3 takes a little patience but is totally worth it.
Ches Smith of Good For Cows is the drummer!
Tim Berne - sax
Oscar Noriega - clarinet
Matt Mitchell - piano
1- Studious quietude, with a stormy composed part in the middle. Ends with slow dramatic surges. Good place to start if you're a fan of ECM in general.
2- Faster stuff: perky and bouncy. Great intro to that choppy, herky-jerky Berne composing style.
3- 1st half quiet: Slow, foreboding entry, into a warm but spare clarinet solo and an inviting, mellow sax/piano part. 2nd half: midtempo but strongly driven. Sometimes delicate, sometimes stormy. Finishes big.
4- Gentle but not slow, a warm mood. Starts with a mid/fast criss-cross theme. Excellent clarinet solo, between classical and avant-jazz, then a nicely warm but exploratory sax solo.
5- Bustling, a busy intro. Gets quiet early on, but it's rather busy throughout and gets downright burly. Winds up neatly.
6- Calm mid/fast, even playful -- it's restrained and relaxing but keeps things moving. And then it builds up to a big sound for the finish.
Ches Smith of Good For Cows is the drummer!
Tim Berne - sax
Oscar Noriega - clarinet
Matt Mitchell - piano
1- Studious quietude, with a stormy composed part in the middle. Ends with slow dramatic surges. Good place to start if you're a fan of ECM in general.
2- Faster stuff: perky and bouncy. Great intro to that choppy, herky-jerky Berne composing style.
3- 1st half quiet: Slow, foreboding entry, into a warm but spare clarinet solo and an inviting, mellow sax/piano part. 2nd half: midtempo but strongly driven. Sometimes delicate, sometimes stormy. Finishes big.
4- Gentle but not slow, a warm mood. Starts with a mid/fast criss-cross theme. Excellent clarinet solo, between classical and avant-jazz, then a nicely warm but exploratory sax solo.
5- Bustling, a busy intro. Gets quiet early on, but it's rather busy throughout and gets downright burly. Winds up neatly.
6- Calm mid/fast, even playful -- it's restrained and relaxing but keeps things moving. And then it builds up to a big sound for the finish.
Recent airplay
Scanners
No Cover, No Minimum — May 04, 2012
Not Sure
The Mongrel's Stoop — Apr 28, 2012
Not Sure
Rebop — Apr 24, 2012
Spectacle, Simple City
The Mongrel's Stoop — Apr 21, 2012
Not Sure
Nathin' To Do — Apr 19, 2012
Simple City
Rebop — Apr 10, 2012
Charting
2012-03-02 — 2012-05-05
Jazz
| Week Ending | Airplays |
|---|---|
| May 6 | 1 |
| Apr 29 | 2 |
| Apr 22 | 2 |
| Apr 15 | 1 |
| Apr 8 | 3 |
| Apr 1 | 2 |
| Mar 25 | 1 |
| Mar 11 | 1 |
Track listing
| 1. | Simple City | ||
| 2. | Scanners | ||
| 3. | Spare Parts | ||
| 4. | Yield | ||
| 5. | Not Sure | ||
| 6. | Spectacle |