Elastic Aspects
Reviews
Fo
Reviewed 2012-03-08
Reviewed 2012-03-08
MATTHEW SHIPP: Elastic Aspects
Thirsty Ear, 2012
AVANT-GARDE – Another very strong acoustic trio outing from Shipp, who as always follows his own path. This suite is dark-hued and brooding, nodding to the jazz tradition even as it dives into seemingly bottomless complexity or sparkles with crystalline abstraction.
Matthew Shipp : piano
Michael Bisio : bass
Whit Dickey : drums
All impressive. Fo’s Picks: 3, 4, 6, 7, 8, 10, 12
1. 2:18 – very slow bowed bass & distant, atmospheric percussion
2. 0:27 – solo piano reflection
3. 4:46 – quirky swing falls in and out of dense tangles; piano in knots
4. 3:51 – solo piano, bright and abstract, fractured melodies run high, low
5. 1:29 – big ragged, rasping bass; drums barely suggest a groove
6. 3:12 – piano moves in complex zigzags, quietly free drum/bass backing
7. 3:18 – heavy, crushing piano; thick, scurrying bass; drums react to piano
8. 5:30 – bright & melodic, but in a distracted way; gets stuck in loops
9. 5:08 – solo bass, bowed and brooding, sawing and sighing
10. 3:11 – brisk bass stroll with ringing prepared piano, minimal drums
11. 3:23 – solo piano chases its tail, meanders, digs
12. 4:29 – thick, sluggish flow: cerebral piano runs free over calm backing
13. 7:36 – rises up into a chugging, crushing dynamo; falls back occasionally
[ Fo ] - March 2012
Thirsty Ear, 2012
AVANT-GARDE – Another very strong acoustic trio outing from Shipp, who as always follows his own path. This suite is dark-hued and brooding, nodding to the jazz tradition even as it dives into seemingly bottomless complexity or sparkles with crystalline abstraction.
Matthew Shipp : piano
Michael Bisio : bass
Whit Dickey : drums
All impressive. Fo’s Picks: 3, 4, 6, 7, 8, 10, 12
1. 2:18 – very slow bowed bass & distant, atmospheric percussion
2. 0:27 – solo piano reflection
3. 4:46 – quirky swing falls in and out of dense tangles; piano in knots
4. 3:51 – solo piano, bright and abstract, fractured melodies run high, low
5. 1:29 – big ragged, rasping bass; drums barely suggest a groove
6. 3:12 – piano moves in complex zigzags, quietly free drum/bass backing
7. 3:18 – heavy, crushing piano; thick, scurrying bass; drums react to piano
8. 5:30 – bright & melodic, but in a distracted way; gets stuck in loops
9. 5:08 – solo bass, bowed and brooding, sawing and sighing
10. 3:11 – brisk bass stroll with ringing prepared piano, minimal drums
11. 3:23 – solo piano chases its tail, meanders, digs
12. 4:29 – thick, sluggish flow: cerebral piano runs free over calm backing
13. 7:36 – rises up into a chugging, crushing dynamo; falls back occasionally
[ Fo ] - March 2012
Recent airplay
Explosive Aspects
In Your Ear | Thursdays Pt. 1 — May 10, 2012
Raw Materials
No Cover, No Minimum — May 04, 2012
Elastic Aspects
20120428 Return — Apr 28, 2012
Raw Materials, Explosive Aspects, Mute Voice
Rebop — Apr 17, 2012
Elastic Aspects
No Cover, No Minimum — Apr 13, 2012
Stage 10
No Cover, No Minimum — Apr 06, 2012
Charting
2012-03-10 — 2012-05-12
Jazz
| Week Ending | Airplays |
|---|---|
| May 13 | 1 |
| May 6 | 1 |
| Apr 29 | 1 |
| Apr 22 | 1 |
| Apr 15 | 1 |
| Apr 8 | 2 |
| Apr 1 | 1 |
| Mar 25 | 2 |
Track listing
| 1. | Alternative Aspects | ||
| 2. | Aspects | ||
| 3. | Psychic Counterpart | ||
| 4. | Frame Focus | ||
| 5. | Flow Chart | ||
| 6. | Mute Voice | ||
| 7. | Explosive Aspects | ||
| 8. | Raw Materials | ||
| 9. | Rainforest | ||
| 10. | Stage 10 | ||
| 11. | Dimension | ||
| 12. | Elastic Aspects | ||
| 13. | Elastic Eye |