Forget-Me-Not
Reviews
Fo
Reviewed 2012-04-12
Reviewed 2012-04-12
YELENA ECKEMOFF: Forget-Me-Not
self-released, 2012
MODERN JAZZ – Russian-born pianist with a very open sound. At times it’s ethereal, with more than a hint of avant-garde shading to it, but at other points she grooves with a relaxed, highly appealing vibe. This feels very much like an ECM record, and the presence of shape-shifting percussionist Marilyn Mazur is a big part of that. But Eckemoff doesn’t settle into any easy niche, making this a really interesting disc.
All good. Fo’s Picks: 1, 2, 4, 6, 8
1. 9:09 – starts free, slow and serene, but eventually falls into a brisk groove
2. 8:51 – wide open piano/perc dialogue, an offbeat stroll, and very quiet solos
3. 7:45 – contemplative bass sets up a sweet ballad that goes quite askew
4. 3:34 – crisp, geometric piano lines; tight, innovative trio sound here
5. 5:00 – slightly off-balance clockwork rhythm, steps carefully and melodically
6. 7:29 – slow calm, then gently ascending and fragile, semi-classical feel
7. 6:05 – melancholy piano moves into an elegant dance, optimistic sound
8. 5:40 – trio spins & sparkles in odd meter, like a patched together machine
9. 8:39 – free trio interplay; cool perc in relaxed stroll, floats into fantasyland
10. 9:30 – slow, mopey trio, very open with prominent bass
[ Fo ] - April 2012
self-released, 2012
MODERN JAZZ – Russian-born pianist with a very open sound. At times it’s ethereal, with more than a hint of avant-garde shading to it, but at other points she grooves with a relaxed, highly appealing vibe. This feels very much like an ECM record, and the presence of shape-shifting percussionist Marilyn Mazur is a big part of that. But Eckemoff doesn’t settle into any easy niche, making this a really interesting disc.
All good. Fo’s Picks: 1, 2, 4, 6, 8
1. 9:09 – starts free, slow and serene, but eventually falls into a brisk groove
2. 8:51 – wide open piano/perc dialogue, an offbeat stroll, and very quiet solos
3. 7:45 – contemplative bass sets up a sweet ballad that goes quite askew
4. 3:34 – crisp, geometric piano lines; tight, innovative trio sound here
5. 5:00 – slightly off-balance clockwork rhythm, steps carefully and melodically
6. 7:29 – slow calm, then gently ascending and fragile, semi-classical feel
7. 6:05 – melancholy piano moves into an elegant dance, optimistic sound
8. 5:40 – trio spins & sparkles in odd meter, like a patched together machine
9. 8:39 – free trio interplay; cool perc in relaxed stroll, floats into fantasyland
10. 9:30 – slow, mopey trio, very open with prominent bass
[ Fo ] - April 2012
Recent airplay
Sand-Glass
No Cover, No Minimum (rebroadcast from Nov 23, 2017) — Jan 06, 2022
Sand-Glass
No Cover, No Minimum — Nov 23, 2017
Sand-Glass
No Cover, No Minimum: Top Jazz of 2012 — Jan 04, 2013
Quasi-Sonata
Rebop — Jun 12, 2012
Resurrection Of A Dream
Rebop — Jun 05, 2012
Schubert's Code
Rebop — May 29, 2012
Charting
2012-04-14 — 2012-06-17
Jazz
| Week Ending | Airplays |
|---|---|
| Jun 17 | 1 |
| Jun 10 | 1 |
| Jun 3 | 1 |
| May 27 | 2 |
| May 20 | 2 |
| May 13 | 3 |
| May 6 | 1 |
| Apr 29 | 2 |
Track listing
| 1. | Resurrection Of A Dream | ||
| 2. | Forget-Me-Not | ||
| 3. | Maybe | ||
| 4. | Sand-Glass | ||
| 5. | Five | ||
| 6. | Schubert's Code | ||
| 7. | Quasi-Sonata | ||
| 8. | Seven | ||
| 9. | Trapped In Time | ||
| 10. | Welcome To A New Day |