Continuum

Jazz | Jan 2013

Reviews

Fo
Reviewed 2013-01-26
DAVID VIRELLES: Continuum
Pi, 2012

POSTMODERN JAZZ – Dark-toned, brilliant music. This fascinating young pianist from Cuba (by way of Canada) finds common ground between improvisational jazz and Afro-Cuban ritual. His band includes the great avant-garde drummer Andrew Cyrille and poet/percussionist Román Díaz. Heady stuff, reminds me somewhat of Omar Sosa.

All great. Fo’s Picks: 2, 3, 6, 7, 9

1. 3:26 – dramatic percussion, mysterious pump organ, ritual invocation
2. 3:16 – slow & dark: refracted piano sneaks through sparse, abstract rhythm
3. 6:23 – forceful midtempo full of odd piano shadings; strong end with vocal
4. 2:04 – wandering piano, droning organ and complex, shapeless percussion
5. 1:47 – serene piano interlude with quiet bass/drum accents
6. 2:08 – very cool churning rhythm, aloof piano melody
7. 7:50 – meditative intro w/spoken word, blooms into spiritual free-jazz septet
8. 1:19 – impressionist interlude for solo piano
9. 2:42 – comes together gradually, free piano over a quick stick rhythm
10. 5:05 – slow, stately movement: a tone poem in gentle abstraction
11. 3:49 – mysterious organ & drums, a sort of space-fusion feel
12. 1:55 – slow processional with spoken word and jangly percussion

[ Fo ] - 26 January 2013

Recent airplay

Our Birthright
Our Birthright
No Cover, No MinimumMar 22, 2013
Our Birthright
minimum entropy iiiMar 21, 2013
The Executioner
Music CasseroleMar 16, 2013
The Executioner, El Brujo And The Pyramid, One
RebopMar 08, 2013
The Executioner
No Cover, No MinimumMar 07, 2013

Charting

2013-01-26 — 2013-03-31 Jazz
Week EndingAirplays
Mar 24 2
Mar 17 1
Mar 10 2
Mar 3 1
Feb 24 2
Feb 17 2
Feb 10 2
Feb 3 3

Track listing

1. One
2. El Brujo And The Pyramid
3. The Executioner
4. Spectral
5. Unseen Mother
6. Royalty
7. Our Birthright
8. Short Story For Piano
9. A Celebration Circa 1836
10. Threefold
11. Mañongo Pabio
12. To Know