Baroque

CONTEMPORARY CLASSICAL CHAMBER-MUSIC

American violist Nadia Sirota plays multiple overlaid tracks, accompanied (usually quietly) by keys, electronics. Very good; just a little challenging. Best tracks:
#2 the best crossover of electronic and classical; may appeal to the broadest audience.
#3 the best “straightforward” contemporary classical

All instrumental; No FCC issues.

1 * Slow to mid. Impressionistic (suggestions of nature). In places harsh, in others lyrical; on the whole a listenable piece. Viola is the dominant instrument throughout; otherwise there’s a bit of percussion and some noise. At least three viola tracks overlaid: one high, one low, a third pizzicato. (10:00)

2 ** Slow. A blend of viola playing beautiful lyrical melodies, a synthesizer playing little waterfall descending runs, and a quiet organ. A hypnotic trance-like feel. (4:01)

3 ** Slow to mid-fast; energetic throughout. An ensemble sound made from multiple viola tracks in different registers, techniques, tones. Sounds like something Kronos Quartet would do. Definitely contemporary, but not harsh or atonal. Compelling, enjoyable piece. (10:00)

4 * Mid-fast. Light & playful. Short, technical passages (an etude) on viola; organ continuo. (5:03)

5 Very slow. Opens with low electronic rumble lasting almost 2 min. Viola & organ quietly emerge, quiet & somber. Grows in intensity, but stays slow & sad. After 4 min, electronic noises. (9:33)

6 Very slow. Strange & avant-garde. Mysterious & dreamlike (maybe a nightmare). Viola is less dominant here: there’s much more organ and electronics than on others. (14:11)