Aldcroft, Ken & Scott Thomson / Red & Blue |
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Album: | Red & Blue | Collection: | Jazz | |
Artist: | Aldcroft, Ken & Scott Thomson | Added: | Jan 2016 | |
Label: | Trio Records |
A-File Activity |
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Add Date: | 2016-02-28 | Pull Date: | 2016-05-01 | Charts: | Jazz |
Week Ending: | Apr 17 | Apr 3 | Mar 27 | Mar 13 | Mar 6 |
Airplays: | 1 | 1 | 1 | 2 | 1 |
Recent Airplay
1. | May 01, 2016: | K-Area Red (1) | 4. | Mar 26, 2016: | Music Casserole Red (2) | |
2. | Apr 15, 2016: | Rebop Red (2) | 5. | Mar 08, 2016: | The Off-Beat Generation Red (1) | |
3. | Mar 31, 2016: | All Passion No Technique Red (1) | 6. | Mar 07, 2016: | Everything A to Z week 33 (edit created for re-airing on June 8th, 2020) Blue (2), Red (2) |
Album Review |
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Be Sharp Reviewed 2016-02-20 | ||
FREE JAZZ / AVANT-GARDE Ken Aldcroft (guitar) and Scott Thomson (trombone) are both from the Toronto area. Thomson is a member of Aldcroft’s Convergence Ensemble. Here they team up for four very free improvisations. Trombone goes from its very bottom note to ultra-high register and produces weird sounds including voicing through the horn. Guitar is picked, hollow-body, sometimes with electronics. This is sometimes strange but worthwhile listening. All instrumental. No FCC issues. 1 * Slow, meandering, but still pleasant. Almost traditional hollow-body jazz guitar sound. Wild trombone with plenty of glissando and very rapid tonguing. (4:14) 2 Very slow. Strange & eerie. Dominated by the guitar with scraping sounds, electronic effects & percussive techniques. Trombone grunts & groans toward the end. (6:16) 3 ** Mostly slow; faster toward end. A very simpatico collaboration: you can sense them listening and working carefully together. Both strummed chords and picked runs on guitar; trombone does a bit of everything. (20:18) 4 Very slow. Trombone out in front much of the way, using the whole range of the instrument, fluttering, groaning; guitar accompanying with “jazzy” chords. (13:58) |
Track Listing |
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1. | Red (1) | 3. | Red (2) | |||
2. | Blue (1) | 4. | Blue (2) |