Will
Reviews
iota
Reviewed 2016-05-12
Reviewed 2016-05-12
meditative layered and looped vocals with minimal droney cello, discordant piano, or droney synth. another good one from goddess julianna barwick. it didn’t always take me to a magic place but it has some great moments and features some new things like cello, occasional male vocal accompaniment and lyrics you can listen for. i think it is more pessimistic than her previous two releases. number 2 is the one i will return to the most.
-iota
track 1 (2:14) – haunting vocals set the tone for the record, beautiful cello in the last minute, ends too soon
***track 2 (5:35) – pulsating synth throughout, strong bass adds volume, beautiful drone vocals, feels like driving at night through fog
track 3 (4:09) – vocals drone over piano, some cello about 2 minutes in
track 4 (4:56) – synth drone comes on strong, male/female vocals two minutes in
track 5 (2:41) – noisy, less refined, and claustrophobic. ends abruptly
*track 6 (5:30) – a steady tone crescendos until female and male vocal loops multiply and piano is introduced along with bass. then everything subtracted until its just the bass
*track 7 (3:58) – sparse, interesting piano, vocals and cello come in after a minute
*track 8 (4:41) – comes on strong with thick layered vocals and keeps layering. male vocals half way through
**track 9 (5:04) – bladerunner! bleep bloop, organic percussion, distinguishable lyrics
-iota
track 1 (2:14) – haunting vocals set the tone for the record, beautiful cello in the last minute, ends too soon
***track 2 (5:35) – pulsating synth throughout, strong bass adds volume, beautiful drone vocals, feels like driving at night through fog
track 3 (4:09) – vocals drone over piano, some cello about 2 minutes in
track 4 (4:56) – synth drone comes on strong, male/female vocals two minutes in
track 5 (2:41) – noisy, less refined, and claustrophobic. ends abruptly
*track 6 (5:30) – a steady tone crescendos until female and male vocal loops multiply and piano is introduced along with bass. then everything subtracted until its just the bass
*track 7 (3:58) – sparse, interesting piano, vocals and cello come in after a minute
*track 8 (4:41) – comes on strong with thick layered vocals and keeps layering. male vocals half way through
**track 9 (5:04) – bladerunner! bleep bloop, organic percussion, distinguishable lyrics
Recent airplay
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night tapes 13 — Aug 12, 2017
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Life Aquatic — Jul 29, 2016
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a strange pursuit — Jul 14, 2016
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Music Casserole — Jul 09, 2016
Charting
2016-05-16 — 2016-07-17
| Week Ending | Airplays |
|---|---|
| Jul 17 | 1 |
| Jul 10 | 3 |
| Jun 12 | 3 |
| Jun 5 | 4 |
| May 29 | 5 |
| May 22 | 3 |
Track listing
| 1. | St. Apolonia | ||
| 2. | Nebula | ||
| 3. | Beached | ||
| 4. | Same | ||
| 5. | Wist | ||
| 6. | Big Hollow | ||
| 7. | Heading Home | ||
| 8. | Someway | ||
| 9. | See, Know |
