| Parker, Mariah / Indo Latin Jazz Live In Concert |
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| Album: | Indo Latin Jazz Live In Concert | Collection: | World | |
| Artist: | Parker, Mariah | Added: | Jan 2017 | |
| Label: | Ancient-Future.Com Records | |||
| A-File Activity |
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| Add Date: | 2017-01-18 | Pull Date: | 2017-03-22 | Charts: | Reggae/World |
| Week Ending: | Mar 19 | Mar 12 | Mar 5 | Feb 26 | Feb 19 | Feb 12 | Feb 5 | Jan 29 |
| Airplays: | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 2 |
Recent Airplay
| 1. | Apr 20, 2022: | At the Cafe Bohemian (rebroadcast from Mar 1, 2017) Milo's Moment | 4. | Mar 18, 2017: | Music Casserole Infinity Minus One | |
| 2. | Feb 18, 2022: | At the Cafe Bohemian (rebroadcast from Mar 1, 2017) Milo's Moment | 5. | Mar 15, 2017: | At the Cafe Bohemian Song For Satie | |
| 3. | Jan 22, 2022: | Music Casserole Milo's Moment | 6. | Mar 10, 2017: | Rebop For The Waters |
| Album Review |
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| Margy Kahn Reviewed 2017-01-12 | ||
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Multi-track live recordings of original compositions by pianist Mariah Parker performed at Bay area venues like Yoshi's, Freight & Salvage, etc. mixed by Ancient Future sound engineer; fusion jazz by virtuoso performers and bandleaders; almost baroque sounding with minimal number of instruments all expertly miked and mixed; applause at tail end of all tracks No FCC's (all instrumental) ; Favorite tracks: 2, 3, 4, 5, 6, 8 1-Infinity Minus One – 7:40-- starts with staccato keyboard chords; opens out with horns, drums, also staccato; horn melody comes in over this; catchy and smooth at the same time; soprano sax really starts to wail 2/3 way through; then back to staccato chords; applause and “thank you” at end *2-Close Passage – 6:55 – starts with bent note Indian motif; beautifully contemplative; opens out into more traditional-sounding jazz *3-For the Waters –6:30 – lighter, piano arpeggios with English horn and cymbals; mellow tune **4- Torredembarra – 5:36 – strong Iberian-sounding opening with soprano sax backed by pianist and other instruments; Matthew Montfort's guitar stands out; then Paul McCandless really lets loose with soprano sax **5 –Song for Satie – 6:12 – modal (?) bass piano chord progression starts a la Satie; Paul McCandless comes in with silken sounding English horn; lovely ***6—Sangria –6:12-- begins with delicious santour trill underneath bent notes from guitar; indescribable airiness and lightness buttressed by santour 7- Jaguar Dance –5:09 – more Latin in beat and melody; nice but not as unusual as other tracks *8 – Milo's Moment –9:29 – hop, skip and a jump intro; long soprano sax phrases; fusion jazz with nice percussive effects with tablas and congas | ||
| Track Listing |
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| 1. | Infinity Minus One | 5. | Song For Satie | |||
| 2. | Close Passage | 6. | Sangria | |||
| 3. | For The Waters | 7. | Jaguar Dance | |||
| 4. | Torredembarra | 8. | Milo's Moment |