|High Plains / Cinderland|
|Add Date:||2017-05-04||Pull Date:||2017-07-06||Charts:||Classical/Experimental|
|Week Ending:||2 Jul||7 May|
|1.||Thu, 29 Jun 17:||lionel hutz & dr. information|
|2.||Sat, 06 May 17:||Eme O|
High Plains // Cinderland|
Album of slowly evolving and simple instrumental soundscapes by Vancouver-based artist High Plains – sometimes beautiful, cinematic, and haunting and other times somewhat dull. Most tracks share a set of instruments – panned piano, analog synths, cello, and some sampled field recordings. The melodies aren’t especially complex, but the separate instruments fill out the mix well and complement each other. A slow tempo and reflective mood permeates the album.
No FCC’s - Reviewed by Slow Proteo
1) Cinderland (03:02): Slow rising synths with repeating piano, cello comes in halfway.
2) Blood That Ran the Rapids (03:30): Disparate panning string sounds with synth, white noise, and FX filling out the mix.
3) The Dusk Pines (06:31): Slow intro with held synth tones, cello entering around 1:20. String layers come and go throughout but the pulsing synth below remains.
4) A White Truck (02:48): Two- chord progression exploding with horns into a noisy soundscape at 1:48 but maintaining a calm tempo.
5) Ten Sleep* (03:21): Panned plucking and synth bass joined at 1:00 by cinematic pads, then piano echoes.
6) Black Shimmer* (04:05): Strings sit on slowly pulsing synth pad.
7) Hypoxia (04:53): Similar to last track but less interesting, feel like I’m walking in a creepy forest with the sun poking through the branches.
8) Rushlight (02:53): Usual vibes until around 1:00 when piano chords play a calm progression over a building choral synth.
9) Song for a Last Night (05:14): Somber with a fade into white noise at the end.
|2.||Blood That Ran The Rapids||6.||Black Shimmer|
|3.||The Dusk Pines||7.||Hypoxia|
|4.||A White Truck||8.||Rushlight|
|9.||Song For A Last Night|