| Evans, Bill / Evans In England |
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| Album: | Evans In England | Collection: | Jazz | |
| Artist: | Evans, Bill | Added: | 05/2019 | |
| Label: | Resonance Records | |||
| A-File Activity |
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| Add Date: | 2019-05-10 | Pull Date: | 2019-07-12 | Charts: | Jazz |
| Week Ending: | 14 Jul | 7 Jul | 23 Jun | 9 Jun | 2 Jun | 19 May |
| Airplays: | 1 | 1 | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | Dec 22, 2019: | Mix Tape Stella By Starlight | 4. | Jul 14, 2019: | Hot Probs Very Early | |
| 2. | Jul 21, 2019: | Hot Probs Stella By Starlight | 5. | Jul 09, 2019: | Clean Copper Radio & Hot Topics Come Rain Or Come Shine | |
| 3. | Jul 20, 2019: | Music Casserole So What | 6. | Jul 04, 2019: | ERA So What |
| Album Review |
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| Tom McCarter Reviewed 2019-05-10 | ||
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Reviewed: 2018-05-08 Genre: Jazz FCCs: none Review: By 1969, as these newly discovered tapes show, Evans’ approach had solidified: the trio’s repertoire consisted of a number of carefully arranged standards, from which he extracted the last drop of lyricism while draining away any hint of sentimentality, plus a handful of his own compositions. With Eddie Gomez and Marty Morrell, Evans had found once more a rhythm section that questioned, provoked, prodded and scribbled over his best laid plans, and in this relaxed setting they certainly sound like they’re enjoying it. If You Like: Wynton Kelly, Herbie Hancock Track Review (favorites denoted by *): DISC 1 *1/ Our Love Is Here To Stay (4:42) – piano starts strong> uptempo jam> rocking bass solo> uptempo jam begins swinging faster> crescendo end 2/ Sugar Plum (9:43) – piano starts with midtempo solo> midtempo jam> bass solo> piano solo to fade **3/ Stella By Starlight (6:46) -piano starts> slow jam swings uptempo> bass solo> spirited piano solo> uptempo jam> crescendo & fade 4/ My Foolish Heart (4:38) – piano starts> slow jam builds to midtempo> piano solo> midtempo jam> mellow crescendo end ***5/ Waltz For Debby (7:57) – piano starts> midtempo jam swings up> piano solo> uptempo jam> swinging bass solo> uptempo jam> swings to fast tempo> quick fade *6/ ‘Round Midnight (6:37) – piano starts strong & fast>pause> slow jam> piano solo builds to uptempo jam> bass solo> midtempo jam swings back to fast tempo> crescendo end *7/ The Two Lonely People (8:02) – piano starts with midtempo solo> midtempo jam> piano solo swings uptempo> uptempo jam> bass solo> midtempo jam> crescendo &n fade **8/ Who Can I Turn To (When Nobody Needs Me) (7:30) – piano starts strong midtempo & quickly swings into uptempo jam> bass solo> uptempo jam swings to fast tempo> off to the races> lightning fast jam> crescendo end DISC 2 *9/ Elsa (7:08) – piano starts with a midtempo solo> midtempo jam> piano solo swings up uptempo> uptempo jam> bass solo> midtempo jam> fade 10/ What Are You Doing The Rest Of Your Life (5:39) – bass/piano starts hesitating> slow jam with waves of notes> crescendo end *11/ Turn Out The Stars (5:03) – piano starts strong & slow> slow jam mellows slightly> piano solo swings into uptempo jam, then mellows to midtempo>slow fade **12/ Re: Person I Knew (8:51) – piano starts slow, builds into midtempo jam> slowly builds to uptempo jam> bass solo> uptempo jam> slows to fade 13/ Goodbye (2:32) – bass/piano starts> midtempo jam slows to slow tempo> piano solo builds to midtempo jam> crescendo end *14/ Come Rain And Come Shine (5:05) – piano srarts> midtrempo jam> swings uptempo> piano solo> bass solo>uptempo jam> quick fade *15/ Very Early (4:45) – piano starts slow> swings into fast tempo jam> bass solo> fast jam> crescendo end ***16/ So What (8:22) – piano starts slow, bass comes in very fast> pause> bass starts> uptempo hesitating jam morphs into swinging jam> piano solo> uptempo jam> piano solo> uptempo jam> pause> bass solo racks out with drums> pause> uptempo jam> quick fade 17/ Midnight Mood (4:44) – piano starts> midtempo jam> piano solo swings into uptempo jam, then mellows to midtempo> crescendo end 1*8/ Polkadots And Moonbeams (3:54) - piano starts strong & slow, swings to midtempo jam, then uptempo> piano solo> fade | ||
| Track Listing |
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