| Shipp, Matthew / Invisible Light - Live in Sao Paulo |
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| Album: | Invisible Light - Live in Sao Paulo | Collection: | Jazz | |
| Artist: | Shipp, Matthew | Added: | Jan 2020 | |
| Label: | Ezz-Thetics | |||
| A-File Activity |
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| Add Date: | 2022-02-26 | Pull Date: | 2022-04-30 | Charts: | Jazz |
| Week Ending: | Mar 27 | Mar 20 | Mar 13 |
| Airplays: | 1 | 1 | 1 |
Recent Airplay
| 1. | May 28, 2022: | Music Casserole Blue in Orion | 3. | Mar 19, 2022: | Music Casserole Whole Movement | |
| 2. | Mar 26, 2022: | Music Casserole Blue in Orion | 4. | Mar 09, 2022: | Some Songs Without Words Patmos |
| Album Reviews |
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| Tom McCarter Reviewed 2020-01-30 | ||
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Reviewed: 2020—01-30 Genre: Jazz FCCs: none Review: Master avant garde pianist Shipp showcases his versatile talents in this solo performance, swinging between original compositions & covers of standards in a continuous series of improvisations that can be played as one full hour piece. If You Like: Henry Threadgilll, Omar Sosa, Cecil Taylor Track Review (favorites denoted by *): *1/ Symbol Systems (7:31) – midtempo> builds in volume & subsides, like waves 2/ Angel Eyes (5:39) - slow tempo swings uptempo & back several times> quick stop *3/ Whole Movement (7:40) – heavy notes starts midtempo, morphs into rocking uptempo, then mellows, then builds into heavy assault, then rocks out uptempo again> quick stop **4/ On Green Dolphin Street (6:54) – midtempo builds to uptempo rocking heavy, then mellows slightly, then builds again> mellows to quick stop *5/ Invisible Light (6:52) – mellow midtempo start> builds to heavy notes & mellows again> slowly builds to uptempo & slows again, then swings back up to fast tempo> quick stop 6/ There Will Never Be Another You (6:40) – midtempo quickly swings to fast tempo, then mellows to quick stop *7/ Blue In Orion (12:34) – mellow fast tempo start builds in volume, then mellows, then builds again several times> quick stop 8/ Yesterdays (3:34) – midtempo start morphs into heavy martial notes, then mellows, then builds to heavy notes> quick stop **9/ Patmos (3:26) – cascading notes start uptempo & hesitating> swings yptempo> quick stop *10/ Gamma Ray (2:02) – uptempo start swings into rocking heavy uptempo, then mellows ***11/ Summertime (2:17) – mellow start morphs into heavy chords, then repeats> quick stop | ||
| Tom McCarter Reviewed 2020-01-30 | ||
|
Reviewed: 2020—01-30 Genre: Jazz FCCs: none Review: Master avant garde pianist Shipp showcases his versatile talents in this solo performance, swinging between original compositions & covers of standards in a continuous series of improvisations that can be played as one full hour piece. If You Like: Henry Threadgilll, Omar Sosa, Cecil Taylor Track Review (favorites denoted by *): *1/ Symbol Systems (7:31) – midtempo> builds in volume & subsides, like waves 2/ Angel Eyes (5:39) - slow tempo swings uptempo & back several times> quick stop *3/ Whole Movement (7:40) – heavy notes starts midtempo, morphs into rocking uptempo, then mellows, then builds into heavy assault, then rocks out uptempo again> quick stop **4/ On Green Dolphin Street (6:54) – midtempo builds to uptempo rocking heavy, then mellows slightly, then builds again> mellows to quick stop *5/ Invisible Light (6:52) – mellow midtempo start> builds to heavy notes & mellows again> slowly builds to uptempo & slows again, then swings back up to fast tempo> quick stop 6/ There Will Never Be Another You (6:40) – midtempo quickly swings to fast tempo, then mellows to quick stop *7/ Blue In Orion (12:34) – mellow fast tempo start builds in volume, then mellows, then builds again several times> quick stop 8/ Yesterdays (3:34) – midtempo start morphs into heavy martial notes, then mellows, then builds to heavy notes> quick stop **9/ Patmos (3:26) – cascading notes start uptempo & hesitating> swings yptempo> quick stop *10/ Gamma Ray (2:02) – uptempo start swings into rocking heavy uptempo, then mellows ***11/ Summertime (2:17) – mellow start morphs into heavy chords, then repeats> quick stop | ||
| Tom McCarter Reviewed 2020-01-30 | ||
|
Reviewed: 2020—01-30 Genre: Jazz FCCs: none Review: Master avant garde pianist Shipp showcases his versatile talents in this solo performance, swinging between original compositions & covers of standards in a continuous series of improvisations that can be played as one full hour piece. If You Like: Henry Threadgilll, Omar Sosa, Cecil Taylor Track Review (favorites denoted by *): *1/ Symbol Systems (7:31) – midtempo> builds in volume & subsides, like waves 2/ Angel Eyes (5:39) - slow tempo swings uptempo & back several times> quick stop *3/ Whole Movement (7:40) – heavy notes starts midtempo, morphs into rocking uptempo, then mellows, then builds into heavy assault, then rocks out uptempo again> quick stop **4/ On Green Dolphin Street (6:54) – midtempo builds to uptempo rocking heavy, then mellows slightly, then builds again> mellows to quick stop *5/ Invisible Light (6:52) – mellow midtempo start> builds to heavy notes & mellows again> slowly builds to uptempo & slows again, then swings back up to fast tempo> quick stop 6/ There Will Never Be Another You (6:40) – midtempo quickly swings to fast tempo, then mellows to quick stop *7/ Blue In Orion (12:34) – mellow fast tempo start builds in volume, then mellows, then builds again several times> quick stop 8/ Yesterdays (3:34) – midtempo start morphs into heavy martial notes, then mellows, then builds to heavy notes> quick stop **9/ Patmos (3:26) – cascading notes start uptempo & hesitating> swings yptempo> quick stop *10/ Gamma Ray (2:02) – uptempo start swings into rocking heavy uptempo, then mellows ***11/ Summertime (2:17) – mellow start morphs into heavy chords, then repeats> quick stop | ||
| Tom McCarter Reviewed 2020-01-30 | ||
|
Reviewed: 2020—01-30 Genre: Jazz FCCs: none Review: Master avant garde pianist Shipp showcases his versatile talents in this solo performance, swinging between original compositions & covers of standards in a continuous series of improvisations that can be played as one full hour piece. If You Like: Henry Threadgilll, Omar Sosa, Cecil Taylor Track Review (favorites denoted by *): *1/ Symbol Systems (7:31) – midtempo> builds in volume & subsides, like waves 2/ Angel Eyes (5:39) - slow tempo swings uptempo & back several times> quick stop *3/ Whole Movement (7:40) – heavy notes starts midtempo, morphs into rocking uptempo, then mellows, then builds into heavy assault, then rocks out uptempo again> quick stop **4/ On Green Dolphin Street (6:54) – midtempo builds to uptempo rocking heavy, then mellows slightly, then builds again> mellows to quick stop *5/ Invisible Light (6:52) – mellow midtempo start> builds to heavy notes & mellows again> slowly builds to uptempo & slows again, then swings back up to fast tempo> quick stop 6/ There Will Never Be Another You (6:40) – midtempo quickly swings to fast tempo, then mellows to quick stop *7/ Blue In Orion (12:34) – mellow fast tempo start builds in volume, then mellows, then builds again several times> quick stop 8/ Yesterdays (3:34) – midtempo start morphs into heavy martial notes, then mellows, then builds to heavy notes> quick stop **9/ Patmos (3:26) – cascading notes start uptempo & hesitating> swings yptempo> quick stop *10/ Gamma Ray (2:02) – uptempo start swings into rocking heavy uptempo, then mellows ***11/ Summertime (2:17) – mellow start morphs into heavy chords, then repeats> quick stop | ||
| Tom McCarter Reviewed 2020-01-30 | ||
|
Reviewed: 2020—01-30 Genre: Jazz FCCs: none Review: Master avant garde pianist Shipp showcases his versatile talents in this solo performance, swinging between original compositions & covers of standards in a continuous series of improvisations that can be played as one full hour piece. If You Like: Henry Threadgilll, Omar Sosa, Cecil Taylor Track Review (favorites denoted by *): *1/ Symbol Systems (7:31) – midtempo> builds in volume & subsides, like waves 2/ Angel Eyes (5:39) - slow tempo swings uptempo & back several times> quick stop *3/ Whole Movement (7:40) – heavy notes starts midtempo, morphs into rocking uptempo, then mellows, then builds into heavy assault, then rocks out uptempo again> quick stop **4/ On Green Dolphin Street (6:54) – midtempo builds to uptempo rocking heavy, then mellows slightly, then builds again> mellows to quick stop *5/ Invisible Light (6:52) – mellow midtempo start> builds to heavy notes & mellows again> slowly builds to uptempo & slows again, then swings back up to fast tempo> quick stop 6/ There Will Never Be Another You (6:40) – midtempo quickly swings to fast tempo, then mellows to quick stop *7/ Blue In Orion (12:34) – mellow fast tempo start builds in volume, then mellows, then builds again several times> quick stop 8/ Yesterdays (3:34) – midtempo start morphs into heavy martial notes, then mellows, then builds to heavy notes> quick stop **9/ Patmos (3:26) – cascading notes start uptempo & hesitating> swings yptempo> quick stop *10/ Gamma Ray (2:02) – uptempo start swings into rocking heavy uptempo, then mellows ***11/ Summertime (2:17) – mellow start morphs into heavy chords, then repeats> quick stop | ||
| Track Listing |
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| 1. | Symbol Systems | 6. | There Will Never Be Another You | |||
| 2. | Angel Eyes | 7. | Blue in Orion | |||
| 3. | Whole Movement | 8. | Yesterdays | |||
| 4. | On Green Dolphin Street | 9. | Patmos | |||
| 5. | Invisible Light | 10. | Gamma Ray | |||
| 11. | Summertime | |||||