Climax In a Process
Reviews
Red West
Reviewed 2023-10-20
Reviewed 2023-10-20
Sharkiface (Angela Edwards) is an underground music stalwart, among other things running the East Bay “Life Changing Ministries” venue, and playing with a basket of bands that play incognito. This is her first release as a solo artist, and evokes a rich experience alone in a harsh world.
6-11 are a series that work as a single piece or can be played a few together, or on their own.
FCC clean
1. starts with close mic’ed exhales, goes to rising, rousing “aaahs” (sounds like a vocal exercize layed on itself) turns to whispered words at end
2. Scratchy dissonant viola & cello & bass with creepy haunted sounds
3. bell-like clanging, sine notes, distant ocean. Unsettling. Non-english male voice talks close to mic in a poetic rhythm, then woman quietly talks about the magic hour over looped quiet noises
4. Introspective whispers and fearful metallic wail-drones, to empty wind, haunted
5. machinations, drudge of the dammned
6. odd record scratching, I like it
7. bitcrushed arpeggio over backwords vocalizing
8. rising vocal samples, urgent light percussion, clicks and blips- stress impression
9. Sounds like a record pressed off center- or imagine a speaker swinging back and forth past you- the beat is something going up and down in pitch. Which reveals itself to be a voice at different speeds, which disappears. Then pops, electric tape swarm frenzy. Unsettling improv
10. stereo vocal sounds, factory, tolling bell, rhythmic sliding stones, synthesized power tools. Makes me think of being processed on a work day.
11. gentle noise intro, unsteady middle of off kilter tones, gently truncates to one steady buzz
Album page https://nopartofit.bandcamp.com/album/climax-in-a-process
6-11 are a series that work as a single piece or can be played a few together, or on their own.
FCC clean
1. starts with close mic’ed exhales, goes to rising, rousing “aaahs” (sounds like a vocal exercize layed on itself) turns to whispered words at end
2. Scratchy dissonant viola & cello & bass with creepy haunted sounds
3. bell-like clanging, sine notes, distant ocean. Unsettling. Non-english male voice talks close to mic in a poetic rhythm, then woman quietly talks about the magic hour over looped quiet noises
4. Introspective whispers and fearful metallic wail-drones, to empty wind, haunted
5. machinations, drudge of the dammned
6. odd record scratching, I like it
7. bitcrushed arpeggio over backwords vocalizing
8. rising vocal samples, urgent light percussion, clicks and blips- stress impression
9. Sounds like a record pressed off center- or imagine a speaker swinging back and forth past you- the beat is something going up and down in pitch. Which reveals itself to be a voice at different speeds, which disappears. Then pops, electric tape swarm frenzy. Unsettling improv
10. stereo vocal sounds, factory, tolling bell, rhythmic sliding stones, synthesized power tools. Makes me think of being processed on a work day.
11. gentle noise intro, unsteady middle of off kilter tones, gently truncates to one steady buzz
Album page https://nopartofit.bandcamp.com/album/climax-in-a-process
Recent airplay
Allegorical: Movement 5
Buford J. Sharkley Presents: As Told to Hervey Okkles — Jan 13, 2024
Allegorical: Movement 5
Music Casserole — Dec 30, 2023
Allegorical: Movement 5, Chatoyance: Movement 4
Music Casserole — Dec 09, 2023
Allegorical: Movement 5
Music Casserole — Nov 18, 2023
Hour of the Wolf
HELLAWEEN — Oct 31, 2023
Movements 1-6
Virtually Happy — Oct 23, 2023
Charting
2023-10-22 — 2023-12-24
| Week Ending | Airplays |
|---|---|
| Dec 10 | 1 |
| Nov 19 | 1 |
| Nov 5 | 1 |
| Oct 29 | 1 |
Track listing
| 1. | Melancholeta | ||
| 2. | Pan & Echo | ||
| 3. | Hour of the Wolf | ||
| 4. | Mystery | ||
| 5. | Garden Party | ||
| 6. | Glossy Tongue: Movement 1 | ||
| 7. | Prearrangement: Movement 2 | ||
| 8. | Mitochrondrial Mother: Movement 3 | ||
| 9. | Chatoyance: Movement 4 | ||
| 10. | Allegorical: Movement 5 | ||
| 11. | Woman's Bane: Movement 6 |
