Various Artists / More Than a Whisper: Celebrating the Music of Nanci Griffith
| Album: | More Than a Whisper: Celebrating the Music of Nanci Griffith | Collection: | A-File | |
| Artist: | Various Artists | Added: | Feb 2024 | |
| Label: | Rounder Records | |||
A-File Activity
| Add Date: | 2024-03-03 | Pull Date: | 2024-05-05 | Charts: | Country/Bluegrass |
|---|
| Week Ending: | Apr 21 | Apr 7 | Mar 31 | Mar 10 |
|---|---|---|---|---|
| Airplays: | 2 | 1 | 1 | 2 |
Recent Airplay
| 1. | Apr 23, 2024: | Traditions
Late Night Grande Hotel, You Can't Go Home Again |
4. | Apr 03, 2024: | That's not Bluegrass
You Can't Go Home Again |
|
| 2. | Apr 20, 2024: | Music Casserole
Listen to the Radio |
5. | Mar 27, 2024: | That's not Bluegrass
Listen to the Radio |
|
| 3. | Apr 16, 2024: | Traditions
Listen to the Radio |
6. | Mar 09, 2024: | Music Casserole
Love at the Five & Dime, Listen to the Radio |
Album Review
Be Sharp
Reviewed 2024-02-19
Reviewed 2024-02-19
CONTEMPORARY FOLK / COUNTRY FOLK / AMERICANA
On this tribute album, a mostly all-star group of artists interpret songs of Nanci Griffith who passed away in 2021. Griffith was known for an uncanny ability to tell stories of ordinary lives with insight, empathy, poignancy, and wry humor. In this way, she was like her good friend John Prine. In touching liner notes, Mary Gauthier says Griffith was the equal of Guy, Townes, and other great Texas songwriters.
FCC clean
1 ** slow. Sarah Jarosz puts her soothing alto to this pretty song about leaving town on an outbound train, with acoustic guitar, sad pedal steel, light drums, and a bit of organ. (4:42)
2 * slow. John Prine & Kelsey Waldon pair up. Two young people meet at work; their love survives a lost child, cheating, and many years. It’s lovely and sweet. (4:49)
3 *** mid-tempo. Billy Strings & Molly Tuttle! Terrific picking & gorgeous singing about how country music on the radio can make you feel better. (4:00)
4 mid-tempo. Emmylou has recorded several songs by Griffith; this quirky look back at a couple during WWII isn’t one of her best, despite the Cajun lilt. (3:40)
5 slow. Lyle Lovett sings lead on a sad ballad about love during hard times; Kathy Mattea sings harmony; restrained dobro & mandolin provide a pretty accompaniment. (3:30)
6 * slow. Emmylou did this as a duet with Willie; now Brandy Clark takes it on solo, and she kills it. Production/drums/synth are heavy handed but her singing is very nice. (3:28)
7 * slow. Shawn Colvin does a nice job on another “leaving” song; it’s an airplane this time rather than a train. A thumping bass drives it along and there’s a nice dobro solo. (4:04)
8 slow. Ida Mae, a little known married couple from the UK, try to outdo each other’s gravelly voice. Good resonator guitar but weird inappropriate electronics. (5:05)
9 mid-tempo. Steve Earle compares sectarian & racial division in Northern Ireland and the USA. Irish band including fiddle & pipes accompanies. (4:41)
10 ** slow. Aaron Lee Tasjan plays piano & sings one of Griffith’s signature tunes in a beautiful countertenor. Patty Griffin adds nice harmony vocals. (4:11)
11 mid-fast. foot-tapping outlaw country features Todd Snider’s vocals. (2:40)
12 ** Iris DeMent applies her keening warble to another train song, but this one is bringing a lonely country girl back home. Song, singing, piano & pedal steel are all strong. (4:31)
13 * mid-tempo. Mary Gauthier asks for more genuine passion in this title track. (4:42)
14 Griffith didn’t write this religious appeal for brotherhood, but recorded it several times. The War and Treaty give a big, Gospel tinted cover, closer to Bette’s than Nanci’s. (4:38)
On this tribute album, a mostly all-star group of artists interpret songs of Nanci Griffith who passed away in 2021. Griffith was known for an uncanny ability to tell stories of ordinary lives with insight, empathy, poignancy, and wry humor. In this way, she was like her good friend John Prine. In touching liner notes, Mary Gauthier says Griffith was the equal of Guy, Townes, and other great Texas songwriters.
FCC clean
1 ** slow. Sarah Jarosz puts her soothing alto to this pretty song about leaving town on an outbound train, with acoustic guitar, sad pedal steel, light drums, and a bit of organ. (4:42)
2 * slow. John Prine & Kelsey Waldon pair up. Two young people meet at work; their love survives a lost child, cheating, and many years. It’s lovely and sweet. (4:49)
3 *** mid-tempo. Billy Strings & Molly Tuttle! Terrific picking & gorgeous singing about how country music on the radio can make you feel better. (4:00)
4 mid-tempo. Emmylou has recorded several songs by Griffith; this quirky look back at a couple during WWII isn’t one of her best, despite the Cajun lilt. (3:40)
5 slow. Lyle Lovett sings lead on a sad ballad about love during hard times; Kathy Mattea sings harmony; restrained dobro & mandolin provide a pretty accompaniment. (3:30)
6 * slow. Emmylou did this as a duet with Willie; now Brandy Clark takes it on solo, and she kills it. Production/drums/synth are heavy handed but her singing is very nice. (3:28)
7 * slow. Shawn Colvin does a nice job on another “leaving” song; it’s an airplane this time rather than a train. A thumping bass drives it along and there’s a nice dobro solo. (4:04)
8 slow. Ida Mae, a little known married couple from the UK, try to outdo each other’s gravelly voice. Good resonator guitar but weird inappropriate electronics. (5:05)
9 mid-tempo. Steve Earle compares sectarian & racial division in Northern Ireland and the USA. Irish band including fiddle & pipes accompanies. (4:41)
10 ** slow. Aaron Lee Tasjan plays piano & sings one of Griffith’s signature tunes in a beautiful countertenor. Patty Griffin adds nice harmony vocals. (4:11)
11 mid-fast. foot-tapping outlaw country features Todd Snider’s vocals. (2:40)
12 ** Iris DeMent applies her keening warble to another train song, but this one is bringing a lonely country girl back home. Song, singing, piano & pedal steel are all strong. (4:31)
13 * mid-tempo. Mary Gauthier asks for more genuine passion in this title track. (4:42)
14 Griffith didn’t write this religious appeal for brotherhood, but recorded it several times. The War and Treaty give a big, Gospel tinted cover, closer to Bette’s than Nanci’s. (4:38)
Track Listing