Six Compositions (Gtm) 2001
Jazz
| Aug 2002
Reviews
Craig Matsumoto
Reviewed 2002-11-11
Reviewed 2002-11-11
Colossal 4-CD set of Anthony Braxton works, as performed by ensembles of mostly Bay Area folks. Each composition is long; one of them takes up the first TWO discs!
This is Braxton's recent "ghost trance" music, made up of strict, strident beats like a drunk happy marching band. It's not as repetitive as it sounds at first, and the players are allowed some free-jazz soloing to add some variety. The music has a bright, playful sound -- it's nothing like, say, Phillip Glass' ominous droning. And John Shiurba adds squealy guitar to some tracks for a noisy, non-academic sound.
Tracks do have a particular organization and logic, so to excerpt a track, it's best to just start at the beginning so you catch the "head" followed by soloing.
DISK 1:
1* - Insistant stomping beat with pre-written "stumbles" for some unpredictability
2* - Gentler, with weird warbly singing
DISK 2:
1- March-like segments juxtaposed with free swirling
2*- Returns to the pulsing theme, then speeds up dramatically
DISK 3:
1- Boisterous, then long floaty improv
2**- Slinky Egyptian feel. Nice scattery piano toward the end.
DISK 4:
1*- Playfully sparse. Small curled bursts.
2- Slow stagger
3*- Fast pecking.
This is Braxton's recent "ghost trance" music, made up of strict, strident beats like a drunk happy marching band. It's not as repetitive as it sounds at first, and the players are allowed some free-jazz soloing to add some variety. The music has a bright, playful sound -- it's nothing like, say, Phillip Glass' ominous droning. And John Shiurba adds squealy guitar to some tracks for a noisy, non-academic sound.
Tracks do have a particular organization and logic, so to excerpt a track, it's best to just start at the beginning so you catch the "head" followed by soloing.
DISK 1:
1* - Insistant stomping beat with pre-written "stumbles" for some unpredictability
2* - Gentler, with weird warbly singing
DISK 2:
1- March-like segments juxtaposed with free swirling
2*- Returns to the pulsing theme, then speeds up dramatically
DISK 3:
1- Boisterous, then long floaty improv
2**- Slinky Egyptian feel. Nice scattery piano toward the end.
DISK 4:
1*- Playfully sparse. Small curled bursts.
2- Slow stagger
3*- Fast pecking.
Recent airplay
Composition No. 286 (Tentet)
jazz is and den some — Dec 16, 2012
Composition No. 287 (Quintet) [excerpt]
Memory Select — Jun 03, 2010
Composition No. 286 (Tentet) [still going!], Composition No. 286 (Tentet)
Memory Select — Jan 09, 2009
Composition No. 289 (Quartet) [excerpt], Composition No. 286 (Tentet) [excerpt]
Memory Select — Dec 05, 2003
Composition No. 278 (Trio)
Composition No. 286 (Tentet) [disk 2 track 2]
Memory Select — Jan 03, 2003
Charting
2002-11-04 — 2003-01-06
Jazz
| Week Ending | Airplays |
|---|---|
| Jan 12 | 1 |
| Jan 5 | 1 |
| Dec 29 | 1 |
| Dec 15 | 1 |
| Dec 1 | 2 |
| Nov 24 | 1 |
| Nov 10 | 2 |
Track listing
| 1. | Composition No. 286 (Tentet) | ||
| 2. | Composition No. 286 (Tentet) | ||
| 3. | Composition No. 277 (Quintet | ||
| 4. | Composition No. 287 (Quintet | ||
| 5. | Composition No. 278 (Trio) | ||
| 6. | Composition No. 289 (Quartet | ||
| 7. | Composition No. 195 (Duo) |