Chasing Paint

Jazz | Apr 2003

Reviews

Craig Matsumoto
Reviewed 2003-05-29
Bloom is a saxophonist in the downtown NYC circle, but she's always leaned toward a more mainstream sound -- a few outside ideas around a near-mainstream core.

This is a tribute to Jackson Pollock, but it's not the wild abandon you'd expect... most of the album is abstract and nonlinear, but in a slow, contemplative way. Pianist Fred Hersch keeps things particularly soft, although he does nice Cecil Taylor-like dabbling on tracks like 7 and 8.

1- Mid/fast, breezy. Opens soft and overly emotive.
2*- Stormy but peaceful, w/Mark Dresser bass solo behind cool Bobby Previte drums
3- Solo soprano sax, a warm but mournful call
4- Spirited bop, after slow start
5- Soft, sad, sentimental
6- Midtempo
7*- Scattery, fast. Ends w/splashes of electronics
8*- Quietly abstract
9*- Midtempo, melodically dizzy

Recent airplay

Alchemy
Music CasseroleFeb 25, 2023
Alchemy
Memory SelectJul 11, 2003
Alchemy
Memory SelectJun 13, 2003
Jackson Pollock
Memory SelectJun 06, 2003
The Sweetest Sounds
Memory SelectMay 30, 2003
On Seeing Jp
No Cover, No MinimumMay 27, 2003

Charting

2003-05-12 — 2003-07-14 Jazz
Week EndingAirplays
Jul 13 1
Jun 15 1
Jun 8 1
Jun 1 2
May 25 1
May 18 1

Track listing

1. Unexpected Light
2. Chasing Paint
3. The Sweetest Sounds
4. On Seeing Jp
5. Many Wonders
6. Jackson Pollock
7. Alchemy
8. Reflections of the Big ...
9. White Light