Bali: Music For The Shadow Play
Reviews
Fo
Reviewed 2004-04-28
Reviewed 2004-04-28
“Bali: Music for the Shadow Play"
Nonesuch Explorer, 1970
Beautiful gamelan music that might typically be used to accompany a Balinese shadow (puppet) play. Since these events typically last all night, only the most important pieces are presented here. The music is performed by a quartet (Pliatan Gamelan Gong Kebyar) using gendèr, brass & bamboo contraptions similar to xylophones. See liner notes for more info.
Try any track. Fo’s picks: 1, 3, 8
1. 17:20 – overture: rhythmic patterns progress through 5-tone scale, becoming increasingly complex and melodic, then simpler again towards the end. Utterly hypnotic.
2. 4:14 – starts slow and halting, becomes fast and flowing like a quick chant
3. 3:10 – quick and complex from the start, a circular pattern emerges
4. 3:15 – dense and busy; shifts between a high-pitched and low-pitched pattern
5. 5:02 – starts relaxed, picks up steam slowly, quite speedy last 2 minutes
6. 3:27 – slow & quiet, used for sad scenes. Very delicate at times
7. 2:41 – steady, aggressive rhythm with melodic accents, layered 2nd half
8. 4:21 – very serious, slow ceremonial music, perks up a bit in the middle
[ Fo ] - 4/28/04
Nonesuch Explorer, 1970
Beautiful gamelan music that might typically be used to accompany a Balinese shadow (puppet) play. Since these events typically last all night, only the most important pieces are presented here. The music is performed by a quartet (Pliatan Gamelan Gong Kebyar) using gendèr, brass & bamboo contraptions similar to xylophones. See liner notes for more info.
Try any track. Fo’s picks: 1, 3, 8
1. 17:20 – overture: rhythmic patterns progress through 5-tone scale, becoming increasingly complex and melodic, then simpler again towards the end. Utterly hypnotic.
2. 4:14 – starts slow and halting, becomes fast and flowing like a quick chant
3. 3:10 – quick and complex from the start, a circular pattern emerges
4. 3:15 – dense and busy; shifts between a high-pitched and low-pitched pattern
5. 5:02 – starts relaxed, picks up steam slowly, quite speedy last 2 minutes
6. 3:27 – slow & quiet, used for sad scenes. Very delicate at times
7. 2:41 – steady, aggressive rhythm with melodic accents, layered 2nd half
8. 4:21 – very serious, slow ceremonial music, perks up a bit in the middle
[ Fo ] - 4/28/04
Recent airplay
Sekati
Cafe Nakhil — Jan 31, 2019
Pemungkah
No Old Fart, No Minimum — Aug 05, 2017
Pemungkah
Bukkake the Gathering — Nov 11, 2010
Sekati
Baptism of Solitude — Feb 27, 2008
Sekati
I once was a world citizen — Aug 18, 2005
Pemungkah
"In Your Ear..." subbing for Ben Pt. 2 — Jul 08, 2004
Charting
2004-05-10 — 2004-07-12
Reggae/World
| Week Ending | Airplays |
|---|---|
| Jul 11 | 1 |
| Jul 4 | 2 |
| Jun 27 | 2 |
| May 23 | 1 |
Track listing
| 1. | Pemungkah | ||
| 2. | Rebond | ||
| 3. | Sekati | ||
| 4. | Sekar Sungsang | ||
| 5. | Sekandi | ||
| 6. | Mesem | ||
| 7. | Batel | ||
| 8. | Rundah | ||
| 9. | Tabuh Gari |