Rosenberg, Scott / Creative Orchestra Music, Chic
Album: | Creative Orchestra Music, Chic | Collection: | Jazz | |
Artist: | Rosenberg, Scott | Added: | Dec 2003 | |
Label: | New World Records |
A-File Activity
Add Date: | 2003-12-16 | Pull Date: | 2004-02-17 | Charts: | Jazz |
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Week Ending: | Feb 8 | Jan 18 | Jan 4 | Dec 21 |
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Airplays: | 1 | 1 | 1 | 1 |
Recent Airplay
1. | Jul 19, 2005: | Umami Jazz Program
Tehr |
4. | Dec 30, 2003: | the jewish alternative
Wash |
|
2. | Feb 06, 2004: | Memory Select
Forgetting Song |
5. | Dec 19, 2003: | Memory Select
Wash |
|
3. | Jan 16, 2004: | Memory Select
Toys |
Album Review
Craig Matsumoto
Reviewed 2003-12-20
Reviewed 2003-12-20
Large orchestra, playing dark and menacing compositions that follow slow composed lines. There's also a great deal of freedom, in the form of chaotic improvisation that's written into the mix.
The music leaves spaces for the group to cut loose and improvise for an orchestra-tuning-up sound. Like most ensembles of its type, the group is characterized by a large, lumbering sound. See London Improvisers Orchestra, Jeff Kaiser's Ockodektet, or Marco Eneidi (American Jungle Orchestra) for comparison points.
Some parts have a sour, dissonant sound, where I'm guessing Rosenberg follows Anthony Braxton's example by letting the players choose the notes themselves.
1- Dark, a bit menacing. Characterized by long unison tones, with occasional bits of fast scrabbly chaos
2- Starts with the same dark menacing feel. But it's gentler, with long-note progressions that "feel" more orchestral.
3- Includes quiet flurries of group improv for a faster, busier feel. Also some soprano wordless vocal
4- More long tones, with piano and trumpet (among others) improvising for some nice color
5- Chirpy double-time pulses, a quicker pace
The music leaves spaces for the group to cut loose and improvise for an orchestra-tuning-up sound. Like most ensembles of its type, the group is characterized by a large, lumbering sound. See London Improvisers Orchestra, Jeff Kaiser's Ockodektet, or Marco Eneidi (American Jungle Orchestra) for comparison points.
Some parts have a sour, dissonant sound, where I'm guessing Rosenberg follows Anthony Braxton's example by letting the players choose the notes themselves.
1- Dark, a bit menacing. Characterized by long unison tones, with occasional bits of fast scrabbly chaos
2- Starts with the same dark menacing feel. But it's gentler, with long-note progressions that "feel" more orchestral.
3- Includes quiet flurries of group improv for a faster, busier feel. Also some soprano wordless vocal
4- More long tones, with piano and trumpet (among others) improvising for some nice color
5- Chirpy double-time pulses, a quicker pace
Track Listing
1. | Tehr | 4. | Forgetting Song | |||
2. | Wash | 5. | Toys | |||
3. | 7X (With Sttm) | . |