Conversations with the Unseen

Jazz | Oct 2004

Reviews

Craig Matsumoto
Reviewed 2004-11-14
British saxophonist and rapper. Tracks stick to a mainstream bent, mostly straight-jazz instrumentals with a few 90-degree turns into fairly safe hip-hop territory.

Jazz-wise, Kinch is the descendent of Coltrane that you'd expect, and he spins some nice fast sax solos. A jazz guitar provides the second lead voice. The raps seem reasonable (I'm admittedly no expert here) and get a weird tilt from Kinch's British accent.

1- Cool-handed rap. "Open it up."
2- Gets into some nice fast jamming
3- Slow mystery. Opens with nice sax solo.
4- Slinky little theme. Midtempo and light.
5- Bright mid/fast post-bop
6- Mellow R&B with rap. Jazzy background led by guitar.
7- Sly Middle-Eastern groove. Kind of retro.
8- Bouncy happy bebop
9- Slow and romantic, a bit sappy/loungy.
10- Mid/fast, opens with a big drum solo
11- Cross between rap and Tin Pan Alley. Interesting and sunny.
12- *FCC* Closing rap, with band callouts and thank yous.

Recent airplay

Snakehips
the Dog and Pony Show — Jan 12, 2005
Spokes and Pedals
The Panoply — Jan 12, 2005
Spokes and Pedals
the Dog and Pony Show — Jan 05, 2005
Doxology, Intro
Biased Diffusion — Dec 22, 2004
Equiano's Tears
Morning Glory — Dec 18, 2004
Spokes and Pedals
The Dog and Pony Show — Dec 08, 2004

Charting

2004-11-15 — 2005-01-17 Jazz
Week EndingAirplays
Jan 16 2
Jan 9 1
Dec 26 1
Dec 19 1
Dec 12 1
Dec 5 1
Nov 28 1
Nov 21 2

Track listing

1. Intro
2. Doxology
3. Conversations with the ...
4. Elision
5. Spokes and Pedals
6. Intermission: Split Decision
7. Snakehips
8. Mungo's Adventure
9. The Flame Thrower
10. Equiano's Tears
11. Good Nyooz
12. Outro