| Massive Attack / Danny The Dog (Soundtrack) |
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| Album: | Danny The Dog (Soundtrack) | Collection: | General | |
| Artist: | Massive Attack | Added: | 01/2005 | |
| Label: | Virgin Records America | |||
| A-File Activity |
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| Add Date: | 2005-02-20 | Pull Date: | 2005-04-24 |
| Week Ending: | 24 Apr | 17 Apr | 10 Apr | 3 Apr | 27 Mar | 20 Mar | 13 Mar | 6 Mar |
| Airplays: | 2 | 2 | 4 | 1 | 1 | 3 | 2 | 6 |
Recent Airplay
| 1. | Feb 21, 2009: | On The Subpath You've Never Had a Dream | 4. | Mar 29, 2006: | beat.net chapter 30.0: love is the message Danny the Dog | |
| 2. | Mar 27, 2007: | beat.net chapter 62.0: only a dream, and we are the imagination of ourselves..bh Danny the Dog | 5. | Feb 01, 2006: | The Dub Space Right Way to Hold a Spoon | |
| 3. | Mar 07, 2007: | MoodSwings-at the movies Polaroid Girl | 6. | Jun 04, 2005: | Randomness Party 1-5 |
| Album Review |
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| Peter Porcino Reviewed 2005-02-07 | ||
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Massive Attack – Danny the Dog (Soundtrack) – Virgin Records Reviewed by Peter 2-07-2005 Very cool soundtrack for the forthcoming Jet Li film Unleashed (Danny the Dog was the working title). It sounds like it will be a very good soundtrack for a thriller/action movie. They do a great job creating a dark atmosphere and building tension. I preferred the beginning and the end of the album; I thought the middle tracks were a little weak as stand-alone songs and might make more sense in the context of the film. There’s a myriad of styles to choose from including rockin’ (2/4/20), airy (5/11), pretty (3/21) and more. Check it out. No lyrics, no FCCs. 1. (1:10) - Slow, steady, dark, industrial, atmospheric with haunting electronics. 2. * (1:29) - Hard, driving, up-tempo industrial/rock electronics with bells. 3. * (1:57) - Very pretty, slow, dreamy, underwater-sounding with slow, regular beat and melodic instrumentation. 4. * (1:20) - Driving bass, rockin’ drums and angry electronics. Sounds like remixed videogame music. 5. * (2:59) – Melodic, mid-tempo, airy electronics. Nice synthesizer melody halfway in. 6. (3:08) – Sad, down-tempo, airy, strings and bells. Ends abruptly with transition into #7. 7. (4:28) Starts abruptly with a second or two from #6. Changes dramatically, though – noisy, distorted-guitar sound over a fainter riff below. Lots of guitar and electronics overall. 8. (1:59) – Slow, distant, mostly electronic atmosphere until long string crescendo for last 30s. Transitions into #9. 9. (2:04) Transition from #8 – starts with crescendo of urgent electronic clicking – presses the song forward. Sparse electronic notes and underlying shuffling rhythm, which takes over towards the end of the song. Nice musical/clock effect for last 30s. 10. (1:51) – Slight transition from #9 – starts with driving bass. Quick electronic melody comes in along with other electronic elements Last 5s intro # 11 11. * (2:46) – Airy string intro. Very pretty, slow piano comes in halfway and struggles with dark, haunting electronics and strings. Makes for a cool, scary effect. Choir towards end. 12. * (3:19) – More traditional electronic melody for intro, then becomes more sparse and gives way to dark atmospheric electronic. Melody comes back at times and is very pretty. 13. (1:29) – Slow, rolling strings feel both triumphant and foreboding at times. 14. (2:32) – Slow, pretty song. Strings and electronics make an almost music-box-sounding melody but is much more complex, especially towards end. 15. (1:33) – Pleasant, atmospheric electronics with melodic, unobtrusive background elements. 16. * (1:54) – Mid-tempo, upbeat electronic melody with nice supporting electronics – feels energetic and triumphant at this point in the album. Good soundtrack music, very cool. 17. (2:25) – Very pretty, calm, slow relaxing electronic piece until last 5 seconds which are a disturbing (after 2:20 of pleasantness) transition to #18. 18. (2:20) – Mid-tempo, hard, rock (Korn?) feel with dissonant electronics for last 35s. 19. (5:53) – Industrial intro and beat throughout. Winds down into a softer, but still dark, tone (Radiohead, almost). Middle part has dark, dissonant crescendos. Has a less dissonant ending, and there are some pretty parts, but overall less so. 20. * (4:14) – Energetic, driving, hard, rock song. The beginning reminds me of RAtM at the end of The Matrix, but becomes more distinctly electronic towards the end. 21. * (1:45) – Pretty piano finale with sad electronic elements – I guess the movie didn’t have a particularly happy ending… | ||
| Track Listing |
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