Rough Guide Sahara
Various Artists
World
| May 2005
Reviews
Sadie O.
Reviewed 2005-08-22
Reviewed 2005-08-22
(Collection) - Rough Guide to the Music of the Sahara (Worldisc)
Reviewed by Sadie O., 8/16/05
Saharan music somewhere on the border between traditional tribal and the popular Arab music associated with European immigrants, such as Rai. To my ears, it's more trad than pop. The CD blurb says it includes desert rock and roll - not! There is a wide variety in sound, though - I like 7 best, but 4, 6, 10-13 all have something to recommend them. FCC? As if!
Track times are listed on CD sleeve, so I'll give cultures/locations, as those are buried rather deep in the liner notes.
1. Berber, Morocco/Algeria. Mellow oud at start, then handdrums. Male vocal duet (trading off rather than harmonizing), typical of western North Africa.
2. Mauritania. Plucked instruments, solo fem vox with Arabic flourishes, and fem vox chorus. Changes tempo and dynamics.
3. Mali. Trance-y, chirpy music, male vox with choral response.
4. **Berber/black African slave music. Sweet guitar and hand drum. Lovely alto fem vox and choral response.
5. Tuareg/Berber/Libya Male vox with either fem or youth chorus. Stringed instrument and hand drum, hand claps. Fairly uptempo, a few ululations. Nice, but really long.
6. **Morocco. Gorgeous fem vox w/ hand drum. Subdued, but really lovely. Short enough that it doesn't get too repetitive!
7. ***Morocco. Electric guitar and drums - maybe this is the "rock and roll" piece! Slow, lolling rhythm, tempo increase and ululation midway through (no vox.)
8. Morocco. Very bluesy, electric guitar and bass. Rather harsh female vox w/ vocal flourishes. I confess I'd like this a lot more if she didn't have such a rough voice.
9. Tuareg/Timbuktu. Male call and response w/ hand drum, and a far-away vocal drone. Rather trance-y.
10. **Songhai/Timbuktu. Nice full traditional band, male vox, fem chorus. Closer in sound to some of the more familiar western African trad stuff. 3 minutes in music slows and some spoken word - not in Arabic. 2 minutes later pace picks up and there's some cool instrumentation. Still pretty long!
11. **Niger. Several drums and plucked instruments. Several female vox in unison. Rolling rhythm based on camel walk.
12. **Tuareg/Timbuktu. Sounds like it was recorded in a souk! Cool male vocal instrumentation (human beatbox? SortaĆ ) Fun - very "tribal" sounding.
13. **Berber/Algeria. Breathy wooden flutes really conjure up the desert. Male vox sounds like a muezzin - could be reciting the Quran.
Reviewed by Sadie O., 8/16/05
Saharan music somewhere on the border between traditional tribal and the popular Arab music associated with European immigrants, such as Rai. To my ears, it's more trad than pop. The CD blurb says it includes desert rock and roll - not! There is a wide variety in sound, though - I like 7 best, but 4, 6, 10-13 all have something to recommend them. FCC? As if!
Track times are listed on CD sleeve, so I'll give cultures/locations, as those are buried rather deep in the liner notes.
1. Berber, Morocco/Algeria. Mellow oud at start, then handdrums. Male vocal duet (trading off rather than harmonizing), typical of western North Africa.
2. Mauritania. Plucked instruments, solo fem vox with Arabic flourishes, and fem vox chorus. Changes tempo and dynamics.
3. Mali. Trance-y, chirpy music, male vox with choral response.
4. **Berber/black African slave music. Sweet guitar and hand drum. Lovely alto fem vox and choral response.
5. Tuareg/Berber/Libya Male vox with either fem or youth chorus. Stringed instrument and hand drum, hand claps. Fairly uptempo, a few ululations. Nice, but really long.
6. **Morocco. Gorgeous fem vox w/ hand drum. Subdued, but really lovely. Short enough that it doesn't get too repetitive!
7. ***Morocco. Electric guitar and drums - maybe this is the "rock and roll" piece! Slow, lolling rhythm, tempo increase and ululation midway through (no vox.)
8. Morocco. Very bluesy, electric guitar and bass. Rather harsh female vox w/ vocal flourishes. I confess I'd like this a lot more if she didn't have such a rough voice.
9. Tuareg/Timbuktu. Male call and response w/ hand drum, and a far-away vocal drone. Rather trance-y.
10. **Songhai/Timbuktu. Nice full traditional band, male vox, fem chorus. Closer in sound to some of the more familiar western African trad stuff. 3 minutes in music slows and some spoken word - not in Arabic. 2 minutes later pace picks up and there's some cool instrumentation. Still pretty long!
11. **Niger. Several drums and plucked instruments. Several female vox in unison. Rolling rhythm based on camel walk.
12. **Tuareg/Timbuktu. Sounds like it was recorded in a souk! Cool male vocal instrumentation (human beatbox? SortaĆ ) Fun - very "tribal" sounding.
13. **Berber/Algeria. Breathy wooden flutes really conjure up the desert. Male vox sounds like a muezzin - could be reciting the Quran.
Recent airplay
Id Chab
New Blues Disorder Micromarathon — Dec 30, 2010
Bleida
New World Disorder — Oct 30, 2005
Fid El Youm
Coronary Heart Disease — Oct 23, 2005
Bleida
Coronary Heart Disease — Oct 09, 2005
Bleida
New World Disorder — Sep 28, 2005
Bleida
At the Cafe Bohemian — Sep 20, 2005
Charting
2005-09-18 — 2005-11-20
Reggae/World
| Week Ending | Airplays |
|---|---|
| Nov 6 | 1 |
| Oct 30 | 1 |
| Oct 16 | 1 |
| Oct 2 | 1 |
| Sep 25 | 1 |
Track listing
| 1. | Al Jbal Li Dargoug Aaaliya | ||
| 2. | Jraad | ||
| 3. | Alkhar Dessouf | ||
| 4. | Hakmet Lakdar | ||
| 5. | Tadzi-Out | ||
| 6. | Dios Mio! | ||
| 7. | Bleida | ||
| 8. | Id Chab | ||
| 9. | Ikruhuwaten | ||
| 10. | Malfa Sibori | ||
| 11. | Tagot | ||
| 12. | Ihama | ||
| 13. | Fid El Youm |