| Otte, Hans / Orient: Occident Minimum: Maximum |
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| Album: | Orient: Occident Minimum: Maximum | Collection: | General | |
| Artist: | Otte, Hans | Added: | Sep 2005 | |
| Label: | Pogus Productions | |||
| A-File Activity |
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| Add Date: | 2005-10-23 | Pull Date: | 2005-12-25 | Charts: | Classical/Experimental |
| Week Ending: | Nov 20 | Nov 13 | Nov 6 | Oct 30 |
| Airplays: | 1 | 1 | 1 | 3 |
Recent Airplay
| 1. | Nov 16, 2005: | Brownian Motion Minimum: Maximum | 4. | Oct 26, 2005: | Brownian Motion Orient: Occident | |
| 2. | Nov 07, 2005: | Asymptotic Freedom Minimum: Maximum | 5. | Oct 25, 2005: | Umami Jazz Program Orient: Occident | |
| 3. | Oct 31, 2005: | Asymptotic Freedom Minimum: Maximum | 6. | Oct 24, 2005: | Asymptotic Freedom Orient: Occident |
| Album Review |
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| Your Imaginary Friend Reviewed 2005-10-19 | ||
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German composer from the 60’s, along the lines of John Cage, Reich, Riley, David Tudor: two long tracks from the early 70’s. Cool stuff that explores tape loops, found sound, vocal treatment, and the Moog. Certainly work that influenced Eno and all your other avante heroes. If you like this I highly recommend his 1982 work “The Book of Sounds” (Das Buch Der Klange). 1) 40 minutes: long minimalism combining early Moog, tape loops and found sound, looped woman’s voice auf deutsch “Ich” (translated: first person “I” or “me”) begins to degrade and tone shift, slow, after ~15 minutes turns into a Moog-fest for ~10 min, then returns to the word loops and overtones 2) 14.5 minutes: moog loops, with mournful Oboe melody | ||
| Track Listing |
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| 1. | Minimum: Maximum | 2. | Orient: Occident |