One

Shipp, Matthew
Thirsty Ear Communication
Jazz | Jan 2006

Reviews

Craig Matsumoto
Reviewed 2006-02-17
Solo piano -- a dark, stormy atmosphere, contemplative. Shipp’s first solo piano in some time, and miles away from his ‘90s album “Symbol Systems.” Both CDs share a cerebral classical/jazz tone, but "Symbol" was in spiky avant-garde territory, while this one's closer to a straight feel.

These short pieces are frequently slow and/or unadventurous, although they pack more than a few good moments. Great for stormy winter atmosphere but gets dull in large doses – contrast with Shipp’s fiery playing on old David S. Ware CDs. Maybe I'm just being shallow, as his slower music lacks that crowd-thrilling surface ... After all, Shipp wouldn't want to replay "Symbol Systems" over and over forever, and it's certainly his right to work on new directions. Still, I'm hoping that direction, represented by his last several Thirsty Ear CDs, finds more inspiration.

1- Midtempo. Tough, dark chords tossed like stones, w/pulsing bass
2- Fast-raindrop trickles, then stormy chords
3- Chipper blues/jazz riff
4- Slow/spacious, relatively
5- Slowish pulse. Picks up later; gets dramatic at the end
6- Tangly jazz; thick knots of low notes
7- Melodic dark-night flow
8- Loungy. Quiet start, then pounding.
9- Tangly fast scrawl!
10- Midtempo cascade of notes
11- Dirge
12- Slow riff; wandering jazz. Lingering/seeking ending

Recent airplay

Electro Magnetism
Umami Jazz ProgramJul 04, 2006
The Encounter
Memory SelectApr 21, 2006
Ieou
Umami Jazz ProgramApr 18, 2006
Patmos
Patmos
MegapolisomancyMar 21, 2006
Patmos
Memory SelectMar 10, 2006

Charting

2006-02-19 — 2006-04-23 Jazz
Week EndingAirplays
Apr 23 2
Apr 16 1
Mar 26 1
Mar 12 1
Mar 5 1
Feb 26 4

Track listing

1. Are
2. Patmos
3. Gamma Ray
4. Milky Way
5. Blue In Orion
6. Electro Magnetism
7. The Encounter
8. The Rose Is A Rose
9. Ieou
10. Abyss Code
11. Zero
12. Module