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Connie
Reviewed 2006-09-17
Reviewed 2006-09-17
Boston based duo offers up a collection of provoking, low-fi avant-freaky-folk and noise tracks. The duo seem to share vocal duties, with quite a bit of range between them, and effectively pulls off the sequencing too as this collage-like album jumps from monstrous noise overkill to lovelorn ballads with equal parts melodic finger-picked guitar and electronic twiddling. Second half of the album sounds more psychedelic, but really the album eludes a mood. Beautifully warped! FCC: #8.
1. Brief intro music – 21 secs
2. Fastly strummed guitars, raga quality, raw vocals almost Xiu Xiu (at his most straightforward) like.
3. Vocables over buzzing. Are those kazoos?
*4. Harmonized, semi-audible singing over various industrial noises and static.
5. Noise track, construction site sounds.
*6. Pretty, breezy acoustic guitars with soft, electronic textures.
*7. Most straightforward offering but still sounds like a novel rendition of a baroque ballad.
8. Rowdy, noisy, instrumentation, spoken-word, oratorical quality. FCC: Fucked up [0:01]
9. Lightning Bolt emulations, lacks ferociousness and thus effectiveness
10. Airy, nature sounds with bits of barely audible vox that come in sounding like out of tune trumpet.
*11. Psyched out quality; overlapping deemphasized vocals have a sort of Ariel Pink quality.
12. Muffled, deep vocals
13. Surprisingly, heavily affected accents are not annoying here.
14. Brief, instrumental track alludes to sounds rising from an abyss
15. Pretty sustained harmonies, builds momentum slowly
16. Long track, 14 minutes of sustained creepiness, organ and drums.
1. Brief intro music – 21 secs
2. Fastly strummed guitars, raga quality, raw vocals almost Xiu Xiu (at his most straightforward) like.
3. Vocables over buzzing. Are those kazoos?
*4. Harmonized, semi-audible singing over various industrial noises and static.
5. Noise track, construction site sounds.
*6. Pretty, breezy acoustic guitars with soft, electronic textures.
*7. Most straightforward offering but still sounds like a novel rendition of a baroque ballad.
8. Rowdy, noisy, instrumentation, spoken-word, oratorical quality. FCC: Fucked up [0:01]
9. Lightning Bolt emulations, lacks ferociousness and thus effectiveness
10. Airy, nature sounds with bits of barely audible vox that come in sounding like out of tune trumpet.
*11. Psyched out quality; overlapping deemphasized vocals have a sort of Ariel Pink quality.
12. Muffled, deep vocals
13. Surprisingly, heavily affected accents are not annoying here.
14. Brief, instrumental track alludes to sounds rising from an abyss
15. Pretty sustained harmonies, builds momentum slowly
16. Long track, 14 minutes of sustained creepiness, organ and drums.
Recent airplay
Leveled Mez
Into the Nada — Apr 03, 2007
Jardin Cadaver
lick My Moody Guitar — Dec 05, 2006
Deep Safety
The Witching Hour #5 — Nov 15, 2006
Agog Hallway
press and release — Nov 09, 2006
Leveled Mez
Cognitive Overload — Nov 02, 2006
Charting
2006-10-29 — 2006-12-31
| Week Ending | Airplays |
|---|---|
| Dec 10 | 1 |
| Nov 19 | 1 |
| Nov 12 | 1 |
| Nov 5 | 1 |
Track listing
| 1. | We're Evil, We're Jazz | ||
| 2. | Deep Safety | ||
| 3. | Leveled Mez | ||
| 4. | Wheels Of Space | ||
| 5. | Nice Mug | ||
| 6. | Mothure | ||
| 7. | Cinematic, Unbearable | ||
| 8. | Salad Of Flies | ||
| 9. | Headstripe Bitches | ||
| 10. | Jardin Cadaver | ||
| 11. | Upsidedown Hanging | ||
| 12. | Straights Riff | ||
| 13. | Fly Over The City | ||
| 14. | Sodaz | ||
| 15. | Somewhat Still And Small | ||
| 16. | Agog Hallway |