Berkeley Guitar
Various Artists
General
| Oct 2006
Reviews
Natalie Ruiz Tofano
Reviewed 2007-01-24
Reviewed 2007-01-24
LOCAL! Comp of three Berkeley-based guitar soloists: Sean Smith, Adam Snider, Matt Baldwin. Beautiful collection of instrumental, fingerstyle folk guitar, rooted in “American blues and rural guitar genres”, drawing from guitar soloist scene in Berkeley during the 60s i.e. John Fahey, Robbie Basho. Smith seems very improvisational and experimental in his compositions. Snider has a more traditional blues sound than the others. Baldwin feels more careful, and creates beautiful compositions. Recording debuts for Snider and Baldwin.
Favs – 1, 2, 5, 7, 8, 11
Sean Smith
1 – Beautiful composition; starts out soft/simple, builds layer upon layer. Long and definitely worth it! (7:30)
2 – Soft & pensive, changes pace in the middle; song feels like its telling a story
3 – Slow & sleepy, more traditional folk sounding than his other two; towards the middle the song really imitates falling asleep/fading out
Adam Snider
4 – Cheery and bright; complex variations of traditional sounding riffs
5 – Bluesy w/mostly guitar picking & hardly any full chords, beautiful & catchy.
6 – Beautiful sound, very slow and distant.
7 – Solemn & darker than others; transitions into amazing, fast-paced finger-picking sections
Matt Baldwin
8 – Careful and sweet; has a traditional folk, roaming and wandering quality
9 – Complex variations, catchy and light feeling with a bluesy twang to it
10 – Softer & more serious; w/bits of crazy, more experimental sounding pickings
11 – Lovely & sweet just like the title; changes to a slower pace toward the end
Favs – 1, 2, 5, 7, 8, 11
Sean Smith
1 – Beautiful composition; starts out soft/simple, builds layer upon layer. Long and definitely worth it! (7:30)
2 – Soft & pensive, changes pace in the middle; song feels like its telling a story
3 – Slow & sleepy, more traditional folk sounding than his other two; towards the middle the song really imitates falling asleep/fading out
Adam Snider
4 – Cheery and bright; complex variations of traditional sounding riffs
5 – Bluesy w/mostly guitar picking & hardly any full chords, beautiful & catchy.
6 – Beautiful sound, very slow and distant.
7 – Solemn & darker than others; transitions into amazing, fast-paced finger-picking sections
Matt Baldwin
8 – Careful and sweet; has a traditional folk, roaming and wandering quality
9 – Complex variations, catchy and light feeling with a bluesy twang to it
10 – Softer & more serious; w/bits of crazy, more experimental sounding pickings
11 – Lovely & sweet just like the title; changes to a slower pace toward the end
Recent airplay
Waltz, Swamp Angel, What Once Was Will Be
Traditions — Nov 28, 2023
The Augur Of Deviation
At Your Local Dive — Dec 06, 2007
What Once Was Will Be
At Your Local Dive — Aug 16, 2007
What Once Was Will Be
At Your Local Dive (live performance with The Finches) — May 01, 2007
Lonely Tuesday Ramble, The Augur Of Deviation
At Your Local Dive — Mar 20, 2007
The Augur Of Deviation
Cincinnati Kid — Mar 03, 2007
Charting
2007-01-28 — 2007-04-01
| Week Ending | Airplays |
|---|---|
| Mar 25 | 1 |
| Mar 4 | 2 |
| Feb 25 | 1 |
| Feb 18 | 1 |
| Feb 11 | 2 |
| Feb 4 | 1 |
Track listing
| 1. | The Augur Of Deviation | ||
| 2. | What Once Was Will Be | ||
| 3. | Die Until Tomorrow, Sleep | ||
| 4. | Lonely Tuesday Ramble | ||
| 5. | Swamp Angel | ||
| 6. | The Little Death | ||
| 7. | The Anger Of God | ||
| 8. | Waltz | ||
| 9. | Split, Part 2 | ||
| 10. | Anji | ||
| 11. | She Was A Girl, She Was In Love |
