Gets It On
General
| Dec 2006
Reviews
Murray
Reviewed 2007-03-11
Reviewed 2007-03-11
Downtempo, minimal folk rock lullabies. Gentle, deep male vocals. The quiet underlines the musical & emotional intensity. Mostly voice & acoustic guitar, spiced with pedal steel, string bass, & some other treats. Lyrics are (great) poetry. Includes some killer covers that sound nothing like the originals. Play with Tim Hardin, Lambchop, Boduf Songs, Spain, Red House Painters, Gravenhurst... & maybe even The Gris Gris and perhaps Eleni Mandell. All shockingly gorgeous. If I rated CDs I'd give this 5 out of 5.
FCC indecent: 1. Start with 3, 6, 12, 16.
1. FCC indecent. Upbeat. "Ooh I need a dirty woman. Ooh I need a dirty girl."
2. (Beatles). Romantic Mersey pop reinterpreted as a lullaby.
==> 3. Slow & transcendent.
4. Happy sad. "If you don't come back to me I will go across the sea, and start a community based on what you did to me. And sustainability."
5. (David Bowie) Prominent string bass. Jazzy.
==> 6. Very Lambchop like, with some falsetto vocals. Very short.
7. A bit anthemic, as quiet ballads go.
8. Romantic story... sort of reminds me of A Prairie Home Companion.
9. (Black Sabbath) Up tempo, (a bit) Appalachian feel. features banjo.
10. (Screamin' Jay Hawkins) This one's recognizable. But damn it's intense.
11. (Prince) Dance pop recast as an almost medieval ballad. Very short.
==> 12. Banjo... very dark Appalachian feel.
14. Lilting melody with harmony vocals and plinky guitar.
15. (The Cars cover) Rhythmic... the only song here that includes percussion. Very recognizable but I think all the words (except the song name) are newly invented.
==> 16. A lullaby to close an album of lullabies. Guitar and processed vibraphone, I think.
FCC indecent: 1. Start with 3, 6, 12, 16.
1. FCC indecent. Upbeat. "Ooh I need a dirty woman. Ooh I need a dirty girl."
2. (Beatles). Romantic Mersey pop reinterpreted as a lullaby.
==> 3. Slow & transcendent.
4. Happy sad. "If you don't come back to me I will go across the sea, and start a community based on what you did to me. And sustainability."
5. (David Bowie) Prominent string bass. Jazzy.
==> 6. Very Lambchop like, with some falsetto vocals. Very short.
7. A bit anthemic, as quiet ballads go.
8. Romantic story... sort of reminds me of A Prairie Home Companion.
9. (Black Sabbath) Up tempo, (a bit) Appalachian feel. features banjo.
10. (Screamin' Jay Hawkins) This one's recognizable. But damn it's intense.
11. (Prince) Dance pop recast as an almost medieval ballad. Very short.
==> 12. Banjo... very dark Appalachian feel.
14. Lilting melody with harmony vocals and plinky guitar.
15. (The Cars cover) Rhythmic... the only song here that includes percussion. Very recognizable but I think all the words (except the song name) are newly invented.
==> 16. A lullaby to close an album of lullabies. Guitar and processed vibraphone, I think.
Recent airplay
Fairies Wear Boots
Some Songs Without Words — Jul 15, 2020
Fairies Wear Boots
Happy Hour — Sep 23, 2010
The Devil Went Down To Georgetown
Happy Hour (Coverin' for PACC) — Nov 30, 2009
Love In The Other Room
Fiction Romance — Apr 26, 2007
Fairies Wear Boots
Happy Hour — Apr 24, 2007
The Devil Went Down To Georgetown
Happy Hour — Apr 10, 2007
Charting
2007-03-11 — 2007-05-13
| Week Ending | Airplays |
|---|---|
| Apr 29 | 2 |
| Apr 15 | 1 |
| Apr 8 | 2 |
| Mar 25 | 1 |
| Mar 18 | 1 |
Track listing
| 1. | Dirty Woman | ||
| 2. | She Loves You | ||
| 3. | This One | ||
| 4. | My Harem Will Be True To Me | ||
| 5. | She Shook Me Cold | ||
| 6. | I Wonder Where You Are | ||
| 7. | April's Not The Name | ||
| 8. | A Crimefighter Who Pities Fools | ||
| 9. | Fairies Wear Boots | ||
| 10. | I Put A Spell On You | ||
| 11. | Kiss | ||
| 12. | The Devil Went Down To Georgetown | ||
| 13. | Love In The Other Room | ||
| 14. | Casino | ||
| 15. | Let The Good Times Roll | ||
| 16. | Lifelike |