Double Sunrise Over Neptune: Live At Vision Festival Xii
Jazz
| Aug 2008
Reviews
Fo
Reviewed 2008-08-10
Reviewed 2008-08-10
WILLIAM PARKER: Double Sunrise over Neptune
AUM Fidelity, 2008
AVANT-GARDE WORLD-JAZZ – Recorded live at the 2007 Vision Festival, this is a mystical extended work for 16 musicians. The music breathes, with global instrumentation contrasting orderly riffs and free-jazz invention, as the lovely voice of North Indian vocalist Sangeeta Bandyopadhyay gently wraps up the whole ensemble. Parker plays reeds and the African doson’ngoni rather than bass. An awesome disc.
Note: Tracks 1 & 4 are the same piece, recorded on different days. The track names were added later and reflect the spirit of each performance.
Fo’s Picks: 1, 2, 4
1. 15:08 – steady bassline, forward motion: overlapping melodic phrases create shifting textures; then Sangeeta sings a mystic poem (by Parker) as the music undulates below, rises to consume her, and gradually falls away; turbulent ending is a mass of plucked strings.
2. 27:18 – begins with surging ensemble over strolling bassline, strong braying reeds, then settles into a calmer Afro-Asian sound. There’s a lot more soloing here than in #1. Vocal mantra is followed by an improvisation on Persian syllables. Cacophony in final 5 minutes.
3. 00:37 – rhythmic fragment
4. 22:39 – same piece as #1: faster tempo, more playful feel, individual voices stand out more, vocals come in later and are more improvisational.
[ Fo ] 10-Aug-08
AUM Fidelity, 2008
AVANT-GARDE WORLD-JAZZ – Recorded live at the 2007 Vision Festival, this is a mystical extended work for 16 musicians. The music breathes, with global instrumentation contrasting orderly riffs and free-jazz invention, as the lovely voice of North Indian vocalist Sangeeta Bandyopadhyay gently wraps up the whole ensemble. Parker plays reeds and the African doson’ngoni rather than bass. An awesome disc.
Note: Tracks 1 & 4 are the same piece, recorded on different days. The track names were added later and reflect the spirit of each performance.
Fo’s Picks: 1, 2, 4
1. 15:08 – steady bassline, forward motion: overlapping melodic phrases create shifting textures; then Sangeeta sings a mystic poem (by Parker) as the music undulates below, rises to consume her, and gradually falls away; turbulent ending is a mass of plucked strings.
2. 27:18 – begins with surging ensemble over strolling bassline, strong braying reeds, then settles into a calmer Afro-Asian sound. There’s a lot more soloing here than in #1. Vocal mantra is followed by an improvisation on Persian syllables. Cacophony in final 5 minutes.
3. 00:37 – rhythmic fragment
4. 22:39 – same piece as #1: faster tempo, more playful feel, individual voices stand out more, vocals come in later and are more improvisational.
[ Fo ] 10-Aug-08
Recent airplay
Morning Mantra
Music Casserole — Mar 23, 2024
Lights Of Lake George
Music Casserole — Jan 22, 2022
Lights Of Lake George
Oh Messy Motion — Jul 04, 2018
Morning Mantra
Memory Select — Aug 17, 2011
Morning Mantra, O'Neal's Bridge
Memory Select — Oct 10, 2008
Neptune's Mirror [excerpt]
Memory Select — Sep 26, 2008
Charting
2008-08-10 — 2008-10-12
Jazz
| Week Ending | Airplays |
|---|---|
| Oct 12 | 2 |
| Sep 28 | 3 |
| Sep 14 | 2 |
| Sep 7 | 1 |
| Aug 17 | 2 |
Track listing
| 1. | Morning Mantra | ||
| 2. | Lights Of Lake George | ||
| 3. | O'neal's Bridge | ||
| 4. | Neptune's Mirror |