Kinsmen
Reviews
Fo
Reviewed 2008-11-23
Reviewed 2008-11-23
RUDRESH MAHANTHAPPA: Kinsmen
Pi, 2008
INDIAN JAZZ – One of the most exciting jazz saxophonists on the scene teams up with Kadri Golpanath, a trailblazer in bringing the sax to Carnatic (South Indian classical) music, and other musicians interested in bridging these two worlds (guitarist Rez Abbasi stands out). This is much more than just picking up tonal ideas or beats from India: the band has dug deep into raga forms and rhythmic cycles, and fully integrated them with cutting-edge modern jazz concepts for a true cohesion. It’s excellent work.
All very fine. Fo’s Picks: 2, 5, 7, 8, 10
1. 2:16 – slow duet: meditative guitar chords, bright saxophone scribbles
2. 10:50 – wow…Indian melodies weave around funky stomp; sax solos follow complex beats, slinky guitar, chattery violin emulates vocal patterns
3. 1:42 – solo guitar interlude
4. 11:21 – moody modern jazz ballad, Indian elements come in gradually, becomes a low walk under a series of fluttery solos
5. 6:22 – lively, traditional sound, weaves menacingly, then fast soloing. Eek!
6. 1:43 – solo bass interlude
7. 12:50 – relaxed tempo, complex layered melody; delicate string interplay, peaceful backing for percolating saxes, thoughtful violin & bass
8. 4:08 – Kadri Golpanath solo sax over distant drone; has a lot to say
9. 2:37 – Solo violin, picks up right after KG (8&9 can be played together)
10. 15:28 – steady, determined feel, with overlapping rhythms and very cool ensemble play; bouncy sax solo, bright guitar, firm violin, nifty sax dialogue… bass & drums are just great throughout the tune.
[ Fo ] 23-Nov-08
Pi, 2008
INDIAN JAZZ – One of the most exciting jazz saxophonists on the scene teams up with Kadri Golpanath, a trailblazer in bringing the sax to Carnatic (South Indian classical) music, and other musicians interested in bridging these two worlds (guitarist Rez Abbasi stands out). This is much more than just picking up tonal ideas or beats from India: the band has dug deep into raga forms and rhythmic cycles, and fully integrated them with cutting-edge modern jazz concepts for a true cohesion. It’s excellent work.
All very fine. Fo’s Picks: 2, 5, 7, 8, 10
1. 2:16 – slow duet: meditative guitar chords, bright saxophone scribbles
2. 10:50 – wow…Indian melodies weave around funky stomp; sax solos follow complex beats, slinky guitar, chattery violin emulates vocal patterns
3. 1:42 – solo guitar interlude
4. 11:21 – moody modern jazz ballad, Indian elements come in gradually, becomes a low walk under a series of fluttery solos
5. 6:22 – lively, traditional sound, weaves menacingly, then fast soloing. Eek!
6. 1:43 – solo bass interlude
7. 12:50 – relaxed tempo, complex layered melody; delicate string interplay, peaceful backing for percolating saxes, thoughtful violin & bass
8. 4:08 – Kadri Golpanath solo sax over distant drone; has a lot to say
9. 2:37 – Solo violin, picks up right after KG (8&9 can be played together)
10. 15:28 – steady, determined feel, with overlapping rhythms and very cool ensemble play; bouncy sax solo, bright guitar, firm violin, nifty sax dialogue… bass & drums are just great throughout the tune.
[ Fo ] 23-Nov-08
Recent airplay
Ganesha
Music Casserole — Sep 07, 2024
Ganesha
Ganesha
No Cover, No Minimum: Monday Edition — Jul 02, 2018
Convergence (Kinsmen)
No Cover, No Minimum: Saturday Edition — Jul 01, 2017
Ganesha, Introspection
Rebop — Mar 27, 2015
Ganesha
No Cover, No Minimum — Mar 04, 2011
Charting
2008-11-23 — 2009-01-25
Jazz
| Week Ending | Airplays |
|---|---|
| Jan 25 | 2 |
| Jan 18 | 2 |
| Jan 11 | 1 |
| Jan 4 | 2 |
| Dec 14 | 1 |
| Nov 30 | 3 |
Track listing
| 1. | Introspection | ||
| 2. | Ganesha | ||
| 3. | Rez-Alap | ||
| 4. | Longing | ||
| 5. | Snake! | ||
| 6. | Carlo-Alap | ||
| 7. | Kalyani | ||
| 8. | Kadri-Alap | ||
| 9. | Kanya-Alap | ||
| 10. | Convergence (Kinsmen) |
