| Shulman, Adam Quintet / Patterns Of Change |
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| Album: | Patterns Of Change | Collection: | Jazz | |
| Artist: | Shulman, Adam Quintet | Added: | 05/2009 | |
| Label: | Kabocha | |||
| A-File Activity |
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| Add Date: | 2009-06-14 | Pull Date: | 2009-08-16 | Charts: | Jazz |
| Week Ending: | 16 Aug | 9 Aug | 19 Jul | 5 Jul | 28 Jun | 21 Jun |
| Airplays: | 2 | 1 | 1 | 1 | 2 | 2 |
Recent Airplay
| 1. | Aug 15, 2009: | Sleepover at Grandma's Spring | 4. | Jul 03, 2009: | Memory Select When I Dream | |
| 2. | Aug 09, 2009: | Transmission Overload Take Notice | 5. | Jun 26, 2009: | No Cover, No Minimum Spring | |
| 3. | Aug 04, 2009: | 10+ Spring | 6. | Jun 23, 2009: | Quasi Music Therapy Lullaby |
| Album Review |
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| Fo Reviewed 2009-06-14 | ||
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ADAM SHULMAN QUINTET: Patterns of Change Kabocha, 2009 MODERN JAZZ – Local pianist leads some of the Bay Area’s top bop players through a set of engaging original music. As on his previous CD, Shulman shows a penchant for calm, flowing compositions, like meandering streams, and these are where he makes his best statements. Adam Shulman - piano Dayna Stephens - tenor sax Mike Olmos - trumpet, flugelhorn John Wiitala - bass Jon Arkin - drums * * * * | Fo’s Picks: 1, 2, 5, 8 1. 6:15 – warm, waltzing sway: cool trumpet & piano walk through shifting time 2. 9:50 – relaxed flow: sax floats on small waves, piano takes flight, stern end 3. 7:00 – breezy modern bop: spiraling sax, questioning trumpet, quick piano 4. 5:10 – slow procession, full of soft curves: melancholy piano solo 5. 9:58 – sweet undulation with shimmering keyboard, introspective sax 6. 8:07 – easygoing strut, multiple melodic themes; trumpet sings, sax moans 7. 7:28 – gentle theme into moody chamber music; relaxed piano solo, rises 8. 8:17 – gliding midtempo: thoughtful horn & piano solos are very nice indeed [ Fo ] 06/14/09 | ||
| Track Listing |
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| 1. | When I Dream | 5. | Spring | |||
| 2. | Not There Yet | 6. | 4th Street Strut | |||
| 3. | Take Notice | 7. | Chopinesque | |||
| 4. | Lullaby | 8. | Patterns Of Change |