Crash
Reviews
Red West
Reviewed 2010-02-09
Reviewed 2010-02-09
Cacaphonous difficult guitar compositions & improvs with drums & sax/clarinet (liner says accordion too, but it’s hard to hear). Recorded live in a single session. Good stuff! Also check out the one-sheet for the concept behind each track.
Aside- I lived by “The Elm City” New Haven as a teen & have visited often since, and can attest it is a bleak backwater wasteland, where creating this sort of noise in protest is entirely appropriate.
1. Rock idioms in a loose structure. Loud, mid-tempo. radio-friendly length.
2. Opens with a cool funky junkyard beat, guitars pluck major arpeggios, pulsing sax. Unfortunately middle gets too loose/jammy for me (use for voiceover?). Part of 2nd half slower, like an exhausted circus.
3.Intro like an orchestra tuning up. Then it picks up to a fast human-techno beat with lots of guitar wah and fuzz.
4.Quiet accordion & effects intro, sorta French existential. Then it goes out there, guits crooning over funky junkyard percussion. Psychedelic. Ends quieter, w/mostly accordion and brushed drums.
5.Angular and brief. A mid-tempo breath of pepper.
6.Quiet guitar intro, gradually loudens and worries. Clarinet takes lead “melody” while guitars add texture and volume (like hair). The clarinet weaves in with the rest during part of the middle.
7.Short song of short sections of instruments joining and leaving. Sparer sound than other tracks. Loud end.
8.yeah horn-y buzzing and random-ish guitar noodling. Plodding, comes together & speeds up a bit in 2nd half, then ends quietly.
9.Glorious mess. Everyone solo at once? Loose.
Aside- I lived by “The Elm City” New Haven as a teen & have visited often since, and can attest it is a bleak backwater wasteland, where creating this sort of noise in protest is entirely appropriate.
1. Rock idioms in a loose structure. Loud, mid-tempo. radio-friendly length.
2. Opens with a cool funky junkyard beat, guitars pluck major arpeggios, pulsing sax. Unfortunately middle gets too loose/jammy for me (use for voiceover?). Part of 2nd half slower, like an exhausted circus.
3.Intro like an orchestra tuning up. Then it picks up to a fast human-techno beat with lots of guitar wah and fuzz.
4.Quiet accordion & effects intro, sorta French existential. Then it goes out there, guits crooning over funky junkyard percussion. Psychedelic. Ends quieter, w/mostly accordion and brushed drums.
5.Angular and brief. A mid-tempo breath of pepper.
6.Quiet guitar intro, gradually loudens and worries. Clarinet takes lead “melody” while guitars add texture and volume (like hair). The clarinet weaves in with the rest during part of the middle.
7.Short song of short sections of instruments joining and leaving. Sparer sound than other tracks. Loud end.
8.yeah horn-y buzzing and random-ish guitar noodling. Plodding, comes together & speeds up a bit in 2nd half, then ends quietly.
9.Glorious mess. Everyone solo at once? Loose.
Recent airplay
Kappa
Ambient Annoyance — Mar 16, 2010
Friendship As A Weapon
The Decency Flush — Mar 12, 2010
Marching Out
Memory Select, early edition — Feb 26, 2010
1924 British Newspaper Curse
Denver Verses — Feb 24, 2010
You Wouldn't Understand
behold... the tetrahedron of infinite gloom — Feb 24, 2010
Charting
2010-02-21 — 2010-04-25
Classical/Experimental
| Week Ending | Airplays |
|---|---|
| Mar 21 | 1 |
| Mar 14 | 1 |
| Feb 28 | 3 |
Track listing
| 1. | You Wouldn't Understand | ||
| 2. | Marching Out | ||
| 3. | The Audacity Of Diogenes | ||
| 4. | 1924 British Newspaper Curse | ||
| 5. | Kappa | ||
| 6. | Friendship As A Weapon | ||
| 7. | Dueling Dual Duos | ||
| 8. | Is It Not | ||
| 9. | Angry Clowns |