Declaration
Reviews
Fo
Reviewed 2010-01-06
Reviewed 2010-01-06
DONNY McCASLIN: Declaration
Sunnyside, 2009
MODERN JAZZ – Donny McCaslin keeps getting better: with each new release, the tenor saxophonist reveals more of his complex musical personality while raising the bar with his impassioned, thrilling solos. But Declaration also shows off his growing mastery as a composer/ arranger, and his quintet (supplemented by up to five additional brass at key moments), works like a well-oiled machine. Shout-outs to Edward Simon’s impressionistic piano, Ben Monder’s melancholy guitar wail and David Binney’s sparkling production work.
Donny McCaslin - tenor sax, alto flute
Edward Simon - piano, organ
Ben Monder - guitar
Scott Colley - bass
Antonio Sanchez - drums
* * * * | Fo’s Picks: 1, 2, 3, 5, 8
1. 9:30 – soars from meditative theme to blazing glory: lusty sax, low piano
2. 9:14 – a mosaic: moody intro, then uptempo Latin sound with tricky rhythm
3. 7:43 – rich, uplifting horn ensemble, then sax solo builds up logically
4. 6:59 – chugging, theme; strong bass solo, then sax hops, spins, squeals
5. 7:20 – In your face: rocking sax swoops over ballsy beat, wailing guitar
6. 8:20 – ballad tempo, bittersweet and pensive but not soft
7. 6:41– strong theme into enigmatic piano, stuttering drums, sax commentary
8. 7:57 – slow, pensive: warm & folksy yet elegant, builds up to a big ending
[ Fo ] 01/06/10
Sunnyside, 2009
MODERN JAZZ – Donny McCaslin keeps getting better: with each new release, the tenor saxophonist reveals more of his complex musical personality while raising the bar with his impassioned, thrilling solos. But Declaration also shows off his growing mastery as a composer/ arranger, and his quintet (supplemented by up to five additional brass at key moments), works like a well-oiled machine. Shout-outs to Edward Simon’s impressionistic piano, Ben Monder’s melancholy guitar wail and David Binney’s sparkling production work.
Donny McCaslin - tenor sax, alto flute
Edward Simon - piano, organ
Ben Monder - guitar
Scott Colley - bass
Antonio Sanchez - drums
* * * * | Fo’s Picks: 1, 2, 3, 5, 8
1. 9:30 – soars from meditative theme to blazing glory: lusty sax, low piano
2. 9:14 – a mosaic: moody intro, then uptempo Latin sound with tricky rhythm
3. 7:43 – rich, uplifting horn ensemble, then sax solo builds up logically
4. 6:59 – chugging, theme; strong bass solo, then sax hops, spins, squeals
5. 7:20 – In your face: rocking sax swoops over ballsy beat, wailing guitar
6. 8:20 – ballad tempo, bittersweet and pensive but not soft
7. 6:41– strong theme into enigmatic piano, stuttering drums, sax commentary
8. 7:57 – slow, pensive: warm & folksy yet elegant, builds up to a big ending
[ Fo ] 01/06/10
Recent airplay
M
Faux — Nov 11, 2011
Fat Cat
No Cover, No Minimum — Feb 12, 2010
M
No Cover, No Minimum — Feb 05, 2010
Rock Me
. . . Over the Hump — Feb 03, 2010
Rock Me
No Cover, No Minimum — Jan 15, 2010
Charting
2010-01-10 — 2010-03-14
Jazz
| Week Ending | Airplays |
|---|---|
| Feb 14 | 1 |
| Feb 7 | 2 |
| Jan 17 | 1 |
Track listing
| 1. | M | ||
| 2. | Fat Cat | ||
| 3. | Declaration | ||
| 4. | Uppercut | ||
| 5. | Rock Me | ||
| 6. | Jeanine | ||
| 7. | 2nd Hour | ||
| 8. | Late Night Gospel |