Besnard Lakes Are The Roaring Night, The
General
| Mar 2010
Reviews
Andy S
Reviewed 2010-05-12
Reviewed 2010-05-12
Awesome dream-pop balladry with a heavy base in My Bloody Valentine, major intrusions from slowcore, and a general propensity for the anthemic. Lots of hugely drawn-out, well executed build-ups, with an appreciated handful of shorter, close-range numbers. Everything here's certainly worth a try, so pay more heed to the track lengths and levels of epic than my recs. That said, I'd start with 2 for a longer one and 4 for a shorter. FCC clean. –Andy
1 - Short, instrumental opening to track 2; blippy synth, feedback moans, chopped fuzzy voice syllables
**2 - (play track 1 for extended opening) Starts as a somber, falsetto piano ballad a la Shearwater with ambient backing, breaks out at the 2 minute mark into an epic, cheery guitar-rock sprawler
*3 - Strings, delicate piano and falsetto vox constitute a gently mystical first half; guitar comes in for a long, well-paced buildup
**4 - Female lead vox and falsetto backing over MBV guitar riffs; simple, summery, lots of hooks and harmonies
*5 - Loud guitars and Low-style harmonized male vox in a serious rock groove
6 - Short, ambient intro to track 7
7 - (play track 6 for extended opening) Slow-burning, dark, twangy verses with brighter, synth-backed choruses; builds to another epic close
*8 - Nervous ambient fade-in, twangy tremolo'd guitar; bleak, pounding rock
*9 - Gorgeously produced layers of piano, organ, gentle riffs; lulling into anthemic
10 - Wandering, calm, often ambient, with quiet female vox and chunky guitar
1 - Short, instrumental opening to track 2; blippy synth, feedback moans, chopped fuzzy voice syllables
**2 - (play track 1 for extended opening) Starts as a somber, falsetto piano ballad a la Shearwater with ambient backing, breaks out at the 2 minute mark into an epic, cheery guitar-rock sprawler
*3 - Strings, delicate piano and falsetto vox constitute a gently mystical first half; guitar comes in for a long, well-paced buildup
**4 - Female lead vox and falsetto backing over MBV guitar riffs; simple, summery, lots of hooks and harmonies
*5 - Loud guitars and Low-style harmonized male vox in a serious rock groove
6 - Short, ambient intro to track 7
7 - (play track 6 for extended opening) Slow-burning, dark, twangy verses with brighter, synth-backed choruses; builds to another epic close
*8 - Nervous ambient fade-in, twangy tremolo'd guitar; bleak, pounding rock
*9 - Gorgeously produced layers of piano, organ, gentle riffs; lulling into anthemic
10 - Wandering, calm, often ambient, with quiet female vox and chunky guitar
Recent airplay
Albatross
Life Aquatic — Jan 21, 2016
Like The Ocean, Like The Innocent Pt. 2: The Innocent
Life Aquatic — Jan 14, 2016
Like The Ocean, Like The Innocent Pt. 2: The Innocent
radio seven — Dec 02, 2015
And This Is What We Call Progress
Daydream Disaster — May 16, 2013
Glass Printer
Daydream Disaster — May 12, 2011
Light Up The Night
Lumpy Space Princess — Mar 13, 2011
Charting
2010-05-16 — 2010-07-18
| Week Ending | Airplays |
|---|---|
| Jul 18 | 1 |
| Jul 11 | 1 |
| Jul 4 | 1 |
| Jun 27 | 1 |
| Jun 13 | 3 |
| Jun 6 | 4 |
| May 30 | 3 |
| May 23 | 6 |
Track listing
| 1. | Like The Ocean, Like The Innocent Pt. 1: The Ocean | ||
| 2. | Like The Ocean, Like The Innocent Pt. 2: The Innocent | ||
| 3. | Chicago Train | ||
| 4. | Albatross | ||
| 5. | Glass Printer | ||
| 6. | Land Of Living Skies Pt. 1: The Land | ||
| 7. | Land Of Living Skies Pt. 2: The Living Skies | ||
| 8. | And This Is What We Call Progress | ||
| 9. | Light Up The Night | ||
| 10. | The Lonely Moon |