Better Left There

Authors Apology
The Gospel Of Rhythm Recordings
General | Nov 2010

Reviews

MC Dizzy Jackson
Reviewed 2011-02-19
The most obvious comparison is with Elvis Costello, both musically, but mostly vocally. There’s also a strong REM thing going on here, after all the band is out of Georgia. It’s a fairly rocking album, but definitely accessible. Standard instrumentation of guitar, bass, drums and keys. No FCC’s.

*My Favorites*: 1, 5, 8.

1. *(2:57) Fast. Driving, quick and repetitive guitar notes. Loud and catchy.
2. (3:59) Mid / Fast. Early REM sound, but a bit more forceful. Short guitar solos. Really rocking with a few slower-paced interludes. Some nice lyrics to boot.
3. (1:47) Mid. Similar to #2 with the interludes, but a smidgen slower and quieter and stretched out.
4. (2:45) Fast. Fast-paced rocker with some backing vocals. Guitar solos, drum heavy.
5. *(2:34) Mid. Guitar predominates, really has that Elvis Costello sound.
6. (3:01) Mid / Fast. Probably the most rocking number on the album with some nice stop/starts. Every instrument is out front and loud.
7. (5:17) Slow / Mid. Slower-paced vocal delivery than the other songs. The band alternates between slower and faster phrases.
8. *(2:05) Mid. Piano and vocal dirge. Nicely done.

Recent airplay

Trains Returning
Daydream DisasterApr 28, 2011
Driven
Double Daydream DisasterApr 21, 2011
Watercolors
Double Daydream DisasterApr 14, 2011
Watercolors
The Independent MindApr 06, 2011
Driven, Trains Returning
The Independent MindMar 31, 2011
Driven
Daydream DisasterMar 31, 2011

Charting

2011-02-27 — 2011-05-01
Week EndingAirplays
May 1 1
Apr 24 1
Apr 17 1
Apr 10 1
Apr 3 2
Mar 27 1
Mar 20 2
Mar 13 2

Track listing

1. Trains Returning
2. Driven
3. A Sisters Hand
4. Last Night In Quepos Town
5. Watercolors
6. A Losing Ticket Cannot Give Advice
7. We Can Always Stumble
8. Take The Reigns