|Add Date:||2011-07-17||Pull Date:||2011-09-18|
|Week Ending:||Sep 18||Sep 11||Aug 14||Aug 7||Jul 31||Jul 24|
|1.||Mar 10, 2016:||radio seven
|4.||Mar 16, 2013:||Flipping Through Time
|2.||Jun 02, 2013:||Tea Parties and the Hip Hop Revelation
|5.||Feb 02, 2013:||Flipping Through Time
|3.||Apr 28, 2013:||The Crooked Spoke Adjacent
|6.||Jan 05, 2013:||Flipping Through Time
*1. Menacing and cryptic—stutter step drums, gentle sitar lines, broken clockwork, and Distorted female vocals falling into the abyss. Gorgeous.
*2. Heady and expansive. Deep fluctuating guitar rhythms coursing along a slowly plodding beat. Plenty of backwards looped samples, chirping birds and a few rumbling droning tones.
3. Buzzy and hissing with the tweeters turned all the way up for a very “bright” and washed-out effect. Hard-hitting 808 drums, looped horns, and distorted opera samples.
*4. The darkest and spookiest of the lot. And the only one with comprehensible vocals—a small snippet about “footsteps.” Amazing drumbeats, and rhythmic vocal samples used as percussive elements that duel with crashing piano lines. Brother, this is far-out.
5. The lead single. A harsh cymbal-laden beat, echoed vocals that stretch the very recording medium, haunted house effects. Coming to a Low End Theory party near you.