A Winged Victory For The Sullen
General
| Sep 2011
Reviews
Adam Pearson
Reviewed 2011-09-22
Reviewed 2011-09-22
Achingly beautiful piano and other acoustic instruments. Project from Stars of the Lid’er Adam Wiltzie and composer Dustin O’Halloran, recorded in huge acoustic open spaces with large grand pianos. This album is chalk full of melodic, lush, cinematic neo-classical music and glacial meditations. This is the sweetest warm blanket of gentle dream music. Recording sessions began in the noted Grunewald Church in Berlin, a venue in which I am fortunate enough to have experienced a live musical performance. Further sessions were completed in East Berlin and in a villa near Ferrara, Italy. All instrumental gorgeousness. For fans of Olafur Arnalds, Brian McBride, and Nils Frahm.
*1. Slow, open contemplative relaxing piano dreamy soothingness, melodic tidal ebbing. (6:19)
2. Beginning of two part tribute to Sparklehorse (Mark Linkous); early morning sun beaming violins. (2:46)
3. Tingly pianos, sustained consonant horns and strings, really easy to like, cinematic. (7:37)
4. Subtle slow aching sweet beauty. (3:09)
*5. Droning looped distant Slow Dancing Society-feel, bowed string bending gives an emotional lilt and ascending strings elevate this. Wow. (4:27)
*6. Wiltzie says “after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing.” Truly stunning. Everybody should listen to this track. (12:42)
7. Slow string rushes, avian and aquatic touches, whisking me away in a sea of fluttering, lush piano strings and simplistic chords. (7:36)
*1. Slow, open contemplative relaxing piano dreamy soothingness, melodic tidal ebbing. (6:19)
2. Beginning of two part tribute to Sparklehorse (Mark Linkous); early morning sun beaming violins. (2:46)
3. Tingly pianos, sustained consonant horns and strings, really easy to like, cinematic. (7:37)
4. Subtle slow aching sweet beauty. (3:09)
*5. Droning looped distant Slow Dancing Society-feel, bowed string bending gives an emotional lilt and ascending strings elevate this. Wow. (4:27)
*6. Wiltzie says “after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing.” Truly stunning. Everybody should listen to this track. (12:42)
7. Slow string rushes, avian and aquatic touches, whisking me away in a sea of fluttering, lush piano strings and simplistic chords. (7:36)
Recent airplay
A Symphony Pathetique
Music Casserole — May 10, 2025
Steep Hills Of Vicodin Tears
Setting Fire to the Lab — Feb 24, 2015
A Symphony Pathetique
Eclectic Erudition week 02 Summer '14 — Jul 08, 2014
Steep Hills Of Vicodin Tears
The Fall of Math — Nov 22, 2013
We Played Some Open Chords
The Fall of Math — Nov 01, 2013
Requiem For The Static King Part Ii
The Crooked SPOKE adjacent — May 19, 2013
Charting
2011-09-25 — 2011-11-27
Classical/Experimental
| Week Ending | Airplays |
|---|---|
| Nov 27 | 3 |
| Nov 20 | 5 |
| Nov 13 | 3 |
| Nov 6 | 5 |
| Oct 30 | 3 |
| Oct 23 | 4 |
| Oct 16 | 6 |
| Oct 9 | 7 |
Track listing
| 1. | We Played Some Open Chords | ||
| 2. | Requiem For The Static King Part I | ||
| 3. | Requiem For The Static King Part Ii | ||
| 4. | Minuet For A Cheap Piano | ||
| 5. | Steep Hills Of Vicodin Tears | ||
| 6. | A Symphony Pathetique | ||
| 7. | All Farewells Are Sudden |
