Universal Language
Reviews
MC Dizzy Jackson
Reviewed 2012-05-13
Reviewed 2012-05-13
LJHO is from Vienna and employ scores of jaw harps with a multitude of instruments including pans, whistle, marimba, percussion, accordion, etc. Varied genres, or, perhaps none at all, or all their own. Very intriguing and magnetic stuff. There’s no lyrics, but about half of the songs have ‘voicings’ - mostly guttural. If you like stuff like Blue Man Group and the like, you may dig this. Great stuff. No FCC’s.
*My Favorites*: I liked them all.
1. (5:30) Mid. Driving, if a bit disjointed, with a few guttural voicings.
2. (4:54) Slow / Mid. Musically free-association, with appearances of a harmonica, marimba, accordion. and ???
3. (2:55) Mid. Upbeat, driving. Eastern European stylings, quite alluring stuff. Lots of voicings.
4. (2:52) Mid. Film noir, car-chase, western film, Aussie stuff, quite an amalgam. Cool.
5. (6:05) Mid. Horns, whistle, pans, marching drums, Caribbean / African/ South American stylings.
6. (3:03) Mid. Water intro. Voicings with reggae beat, keys, cymbal strikes?, accordion.
7. (3:04) Slow / Mid. Nice percussion, woodwind, voicings. Quite ethereal and heavenly.
8. (3:14) Mid. Gets really spacey, Halloween-ish, voicings. Cool.
9. (4:43) Mid. Airy, ethereal, kind of out-there. Jazzy. Cool.
10. (3:35) Mid. Upbeat with great voicings. Jazzy, loungey.
11. (3:33) Mid. Bent, mad, brilliant. Like finding yourself in a collider with a free-jazz marching band.
12. (3:20) Slow / Mid. Mad voicings becoming very Opera-like. Accordion, pans, plodding beat.
*My Favorites*: I liked them all.
1. (5:30) Mid. Driving, if a bit disjointed, with a few guttural voicings.
2. (4:54) Slow / Mid. Musically free-association, with appearances of a harmonica, marimba, accordion. and ???
3. (2:55) Mid. Upbeat, driving. Eastern European stylings, quite alluring stuff. Lots of voicings.
4. (2:52) Mid. Film noir, car-chase, western film, Aussie stuff, quite an amalgam. Cool.
5. (6:05) Mid. Horns, whistle, pans, marching drums, Caribbean / African/ South American stylings.
6. (3:03) Mid. Water intro. Voicings with reggae beat, keys, cymbal strikes?, accordion.
7. (3:04) Slow / Mid. Nice percussion, woodwind, voicings. Quite ethereal and heavenly.
8. (3:14) Mid. Gets really spacey, Halloween-ish, voicings. Cool.
9. (4:43) Mid. Airy, ethereal, kind of out-there. Jazzy. Cool.
10. (3:35) Mid. Upbeat with great voicings. Jazzy, loungey.
11. (3:33) Mid. Bent, mad, brilliant. Like finding yourself in a collider with a free-jazz marching band.
12. (3:20) Slow / Mid. Mad voicings becoming very Opera-like. Accordion, pans, plodding beat.
Recent airplay
Moose Have No Bumpers
Music Casserole — Feb 01, 2014
Wabba Dubu
Buford J. Sharkley Presents: As Told to Hervey Okkles — Jan 25, 2014
Scratch Me Hard
The Songsmith Show — Oct 31, 2013
Tuba For Klaus (Tribute To Klaus Nomi)
The Penultimate Show — Dec 20, 2012
Tuba For Klaus (Tribute To Klaus Nomi)
The Songsmith Show — Oct 26, 2012
Wabba Dubu
The Songsmith Show — Jul 20, 2012
Charting
2012-05-19 — 2012-07-22
| Week Ending | Airplays |
|---|---|
| Jul 22 | 1 |
| Jul 15 | 2 |
| Jul 1 | 1 |
| Jun 24 | 1 |
| Jun 10 | 1 |
| May 27 | 1 |
Track listing
| 1. | Headbanging Harpers | ||
| 2. | Moose Have No Bumpers | ||
| 3. | Tuba For Klaus (Tribute To Klaus Nomi) | ||
| 4. | Count On Me | ||
| 5. | Africa Is Everywhere | ||
| 6. | Wabba Dubu | ||
| 7. | Recover From Pain | ||
| 8. | Scratch Me Hard | ||
| 9. | Nerdwood Swamp | ||
| 10. | Dear Deer | ||
| 11. | Angry Harp | ||
| 12. | The Other Side |