Mon Oct 28, 2019 6am - 9am
| Time | Artist | Track | Album/Label | |
|---|---|---|---|---|
| Gerre Hancock | Fanfare I | Praise the Lord / Argo | ||
| Joanna Goldstein | Smyth: Trip for violin, horn and pianoforte | They Persisted / Centaur | ||
| Philadelphia Virtuosi Chamber Orchestra | Concerto for organ, harp and strings | Hanson: Organ Concerto / Naxos | ||
| Nancy Green And Frederick Moyer | Allegro molto piu tosto presto, from Sonata no. 2 in G minor, op. 5 no. 2 | Beethoven - Completer Works For Cello & Piano / Jri Recordings | ||
| Christ Church Cathedral Choir | O how amiable, op. 90 no. 3 | William Mathias: Church and Choral Music / Nimbus | ||
| 07:26 am | Choir of King's College, Cambridge | Vaughan Williams: Lord, thou hast been our refuge | English Hymn Anthems / self | |
| Tallis Scholars | Sainte-Chapelle | Whitacre: Sainte-Chapelle / Gimell | ||
| La Chapelle Royale | Wie lieblich sind Deine Wohnungen | Brahms: Ein deutsches Requiem, op. 45 / Philips | ||
| New Zealand Symphony Orchestra | Nightmare/Finale from The Lost Weekend | Rózsa: Double Indemnity / Koch | ||
| Dinosaur Annex Ensemble | Sirota: Seven Picassos | New Sounds from the Village / Capstone | ||
| Georges Montalba | Saint-Saëns: Danse macabre | High Fidelity Pipe Organ Favorites & Fantasy in Pipe / Hit Thing | ||
| London Classical Players | Dream of a witches' sabbath | Berlioz: Symphonie fantastique / EMI | ||
| Pine, Rachel Barton | Paganini: Nel cor più non mi sento: Introduction and variations | Bel Canto Paganini: 24 Caprices And Other Works For Solo Violin / Avie Records | ||
| Australian Voices | Leek: Wirindji | Great Southern Spirits / voices | ||
| Julianne Baird | Johnson: Come away, Hecate | The English Lute Song / Dorian | ||
| Sarah Walker | Schubert: Erlkönig, D328 | The Hyperion Schubert Edition / Hyperion | ||
| Kathleen Ferrier | In diesem Wetter, in diesem Braus | Mahler: Kindertotenlieder / EMI | ||
| Felix Hell | Schneider: Toccata: Schlafes Bruder | Felix Hell: Organ Giants / Wergo | ||